Allgemein – Numéro Berlin https://www.numeroberlin.de Wed, 11 Mar 2026 12:25:58 +0000 en-US hourly 1 TO WATCH: “THE TESTAMENT OF ANN LEE” BY MONA FASTVOLD https://www.numeroberlin.de/2026/03/to-watch-the-testament-of-ann-lee/ Wed, 11 Mar 2026 11:36:02 +0000 https://www.numeroberlin.de/?p=69894 THE TRUE STORY OF THE FOUNDER OF THE SHAKERS

The story of Ann Lee is based on the life of the founder of the Shaker religious movement. Amanda Seyfried stars as a strong-willed prophet, unswervingly following her calling to preach and spread her faith. It is a tale of resilience and profound devotion, brought to life by striking hymns and rhythmic chanting.

The Shaker hymns featured in the film are historically grounded and have been reinterpreted by Academy Award-winning composer Daniel Blumberg. They serve as a recurring motif throughout the narrative, underscoring the hardships faced by the burgeoning community.

The production captivates with impressive visuals, showcasing an aesthetic that at times evokes theatrical stage structures. The screenplay was co-written by Mona Fastvold and Brady Corbet, the creative duo behind the script for the Oscar-winning film ‘The Brutalist’.

The Movie will be released to German Cinema on the 12th of March.

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VISIONARY ISSUE VOL. A – MAXIM BALLESTEROS https://www.numeroberlin.de/2026/03/visionary-issue-vol-a-maxim-ballesteros/ Mon, 09 Mar 2026 12:28:42 +0000 https://www.numeroberlin.de/?p=69876
PHOTOGRAPHY MAXIME BALLESTEROS STYLING NIKITA VLASSENKO HAIR DALIBOR VRTINA MAKEUP MARIEKE THIBAUTS STYLING ASSISTANT SAMBA BARBÉ-CISSÉ TALENT TALI LENNOX SPECIAL THANKS ZOHRA ALAMI / PASSAGE ARCHIVES
Coat LES HEAL AW2009 Dress ALEXANDER MCQUEEN SS2011 Shoes DIOR BY JOHN GALLIANO AW2003 Tights STYLIST’S OWN Necklace JOHN GALLIANO 2000S
Jacket MARTIN MARGIELA SS2009 Shoes MARTIN MARGIELA AW2007 Tights STYLIST’S OWN
op VIVIENNE WESTWOOD SEDITIONARIES 1977 Skirt YOHJI YAMAMOTO AW2003 Belt A.F. VANDERVORST SS2003 Jewelry ANN DEMEULEMEESTER SS2003
Dress YOHJI YAMAMOTO SS2001 Earrings & tights STYLIST’S OWN Tights STYLIST’S OWN
Jacket ANNA-MARIE BERETTA AW1984 Corset TONI WHITAKER 1990S Skirt ANNE-MARIE BERETTA SS1990 Shoes SONIA RYKIEL 1996 Bag LANVIN BY ALBER ELBAZ SS2011 Bracelets ANNE-MARIE BERETTA AW1982
JUNYA WATANABE AW2000 Top COMME DES GARÇONS 2005
Dress MARTIN MARGIELA SS2002
Dress ALEXANDER MCQUEEN SS2011 Gloves THIERRY MUGLER 1990S
Dress A.F. VANDERVORST SS2002 Shoes MARTIN MARGIELA 2000S
Tights STYLIST’S OWN
Dress ANNE-MARIE BERETTA AW1990 Top JEAN-LOUIS SCHERRER HAUTE COUTURE 2002
Dress ALEXANDER MCQUEEN AW2010 PROTOTYPE COLLECTION POSTHUME
Dress JOHN GALLIANO RESORT 2008 Shoes JOHN GALLIANO 2000S Hat STYLIST’S OWN Necklace JOHN GALLIANO 2008 Gloves ANNE-MARIE
PHOTOGRAPHY MAXIME BALLESTEROS STYLING NIKITA VLASSENKO HAIR DALIBOR VRTINA MAKEUP MARIEKE THIBAUTS STYLING ASSISTANT SAMBA BARBÉ-CISSÉ TALENT TALI LENNOX SPECIAL THANKS ZOHRA ALAMI / PASSAGE ARCHIVES
Coat LES HEAL AW2009 Dress ALEXANDER MCQUEEN SS2011 Shoes DIOR BY JOHN GALLIANO AW2003 Tights STYLIST’S OWN Necklace JOHN GALLIANO 2000S
Jacket MARTIN MARGIELA SS2009 Shoes MARTIN MARGIELA AW2007 Tights STYLIST’S OWN
op VIVIENNE WESTWOOD SEDITIONARIES 1977 Skirt YOHJI YAMAMOTO AW2003 Belt A.F. VANDERVORST SS2003 Jewelry ANN DEMEULEMEESTER SS2003
Dress YOHJI YAMAMOTO SS2001 Earrings & tights STYLIST’S OWN Tights STYLIST’S OWN
Jacket ANNA-MARIE BERETTA AW1984 Corset TONI WHITAKER 1990S Skirt ANNE-MARIE BERETTA SS1990 Shoes SONIA RYKIEL 1996 Bag LANVIN BY ALBER ELBAZ SS2011 Bracelets ANNE-MARIE BERETTA AW1982
JUNYA WATANABE AW2000 Top COMME DES GARÇONS 2005
Dress MARTIN MARGIELA SS2002
Dress ALEXANDER MCQUEEN SS2011 Gloves THIERRY MUGLER 1990S
Dress A.F. VANDERVORST SS2002 Shoes MARTIN MARGIELA 2000S
Tights STYLIST’S OWN
Dress ANNE-MARIE BERETTA AW1990 Top JEAN-LOUIS SCHERRER HAUTE COUTURE 2002
Dress ALEXANDER MCQUEEN AW2010 PROTOTYPE COLLECTION POSTHUME
Dress JOHN GALLIANO RESORT 2008 Shoes JOHN GALLIANO 2000S Hat STYLIST’S OWN Necklace JOHN GALLIANO 2008 Gloves ANNE-MARIE
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WEEKEND MUSIC PT. 85 – DENZEL CURRY https://www.numeroberlin.de/2026/03/weekend-music-pt-85-denzel-curry/ Fri, 06 Mar 2026 16:14:26 +0000 https://www.numeroberlin.de/?p=69814 DENZEL CURRY drops new Album with Hip-Hop-Supergroup “THE SCYTHE”

US rapper Denzel Curry is known for his experimental nature. Whether it’s rap songs or metal collaborations, for him, only artistic excellence counts. Most recently, he toured as the support act for the metal band Deftones.

As an uncompromising perfectionist, the Florida native works on his tracks until they are flawless in his eyes. With today’s album release of ‘Strictly 4 the Scythe’ and the single ‘Mutt That Bih,’ he is turning a new page. Together with Bktherula, TiaCorine, A$AP Ferg, and Key Nyata, he forms the hip-hop supergroup THE SCYTHE. The project is a tribute to the core of hip-hop, blending classic, raw Southern sounds with the combined creative power of each individual member. It’s an album for the ‘day ones,’ born from patience and passion.

He talks about the challenges of making an album with such a large collective, why he tends to only remember his bad shows, and jokes about his inability to ever truly relax.

SOPHIA NOWAK: Hi Denzel, thanks for taking the time before your concert. Tonight, you’re the supporting act for a metal band, and your own new music also leans into that sound sometimes. What drew you to that genre, and how does the experience differ from making rap?

DENZEL CURRY: When it comes down to my influence, how I got into it, it was mainly because of Toonami and Dragon Ball Z and stuff like that. There’s this band called Pantera and me and my brother was into metal when we got tired of listening to rap a lot. Yeah, we got into it through, you know, just Dragon Ball Z and finding those songs and stuff like Korn and Rage Against the Machine. But mainly, Pantera was like my favorite band, and that’s how I got into it for real.

SN: And is there a difference between making rap music and metal?

DC: Not really. Bro, like, they’re doing the same shit we’re doing. It’s just over a different kind of instrumental.

SN: I thought it would be way different, feeling-wise, or in what influences it.

DC: I mean, yeah, but you know, they could interchange. You could put someone who’s a metal vocalist on a rap record, and then you could put a rapper on a rock record, you know what I’m saying? But it depends on who you get. For example, DMX. DMX had Marilyn Manson on his record, which was ‘The Omen (Damien II)’. And then vice versa, you got people like Eminem shouting out Marilyn Manson also. And then you got people like Korn, and Korn did crossovers with Ice Cube. We had Linkin Park who did crossovers with Jay-Z, on the Collision Course album, where they put Linkin Park instrumentals over Jay-Z tracks and Jay-Z instrumentals over Linkin Park tracks. So they’re pretty much in the same vein, in the same pocket.

SN: You’re bringing out a new album called “Strictly for the Scythe”.

DC: Exactly. Yeah, Strictly For My R.V.D.X.R.Z., we got a new album coming out. It’s a collaboration project and it’s with this supergroup, which is formed as The Scythe. It consists of myself, BKtherula, TiaCorine, Ferg, Key Nyata, and Working on Dying members, such as BNYX, Oogie Mane, Lukative, Swaggy Uno, et cetera. And also my boy Ilovetramane, who’s part of Ultra Glound Records.

SN: That’s a lot of people. I could imagine it’s much harder making an Album with so many people involved.

DC: Yeah, yeah. Because you got to catch these motherfuckers, man. But when you got them, you got it. And because they all have their respective solo careers, it’s kind of hard to narrow it down and get everybody on the same page. But once you get them all on the same page, it’s magic.

SN: Does it happen that you’re all in the same studio at the same time?

DC: Nah, nah, nah. Certain members will all be in a studio at the same time and other members will be in different studios, or different places of the world. It could be me, James, which is Oogie Mane, and Austin, which is Ilovetramane, will be at a studio and we might have Ferg in there, cutting records with me, or Key Nyata. And then if we’re on the West Coast, we got to wait for people to come over because they always got to come to LA to do some kind of work. Then they’ll end up chilling at my house for some reason, and then we’ll end up going to the studio, or they’ll end up being at a studio and I go to them, or they end up coming to the show, or I’ll go to their show and they’ll come to my house. But the majority of the time I’m with the producers and we’re coming up with ideas. And then we’ll send them, and when we got them in proximity, that’s when we start making the shit for real, for real. Everybody processes differently, but all of us at the same time, the exact same time? We didn’t start seeing that until we started making the music videos and doing the press runs, and all of us were actually together and shit. Yeah, funny as hell.

SN: You’re really good at freestyling, you’re top tier.

DC: You’re not gonna make me rap in front of you, are you?

SN: No, no worries. I was going to ask, if you were to have a freestyle battle, who would be hard for you? Like, who would you be like, ‘Oh shit, that’s going to be hard’?

DC: Nyck Caution. Because he likes to battle. With any MC really, you gotta bring your A-game. As you can see what happened with Drake and Kendrick and everything. You gotta bring your A-game with anybody, because anybody could take you out.

SN: You’re performing here in Berlin tonight. Do you ever get to spend some time in the cities where you’re performing?

DC: Not really. But I explored Berlin before, but that was years ago. Nowadays, it’s more you get out there, you go in the city, you do your thing, and if you have time, you can go explore and do some stuff. Other than that, we’re just on the Bus a lot.

SN: Is there a show that sticks out in your memory as being absolutely fire?

DC: Man, the crazy thing is, I don’t remember my good shows. I remember the bad ones.

SN: Why?

DC: Because it sucked.

SN: When is a show bad for you?

DC: Oh man, I remember the sound cut out at Revolution Live and I didn’t know what to do. So I was on stage awkwardly trying to figure it out, and then the music cut back on at an awkward time. And then I was performing at Timberland and, it just wasn’t a good night. And then there’s a festival that I’ve done called Something in the Water. Totally hated that show. Show sucked. Sucked balls.

SN: Well, you’re about to perform I know I’ll go crazy.

DC: Oh, this is going to be a good show, for sure. This whole tour has been amazing. Everybody from Drug Church to the Deftones guys, everybody’s being super chill, super nice. And it’s kind of tight-knit. Everybody’s on a roll, we all want the same thing, we’re all laughing all the time. And it’s only a three-week tour. We got a good slot and it’s pretty easy for us. Compared to our own headline live shows, whenever we’re in support of somebody, it’s less work in a shorter amount of time, but we manage to get it done and get it down effectively.

SN: Happy to hear you’re having a good tour! You know your response at the beginning, that there’s no difference between making metal and rap music, surprised me a lot. I would have thought that there was. Do you have different inspirations when making different genres, or does it just depend on your mood?

DC: Well, back in the day, it was more mood. Now, it’s mood and calculation. So, if I feel a certain mood and I want the vibe of an album to be a certain way, I go and study the albums that sound that way in my mind. I study them to a T—to the tiniest detail. Even as far as: ‘Who can I get from these past albums to incorporate into the stuff that I’m doing?’

I want to make it the best way possible, studying everything to make the record as authentic as possible.
SN: When you’re writing a track, do you hear the different rhythm patterns in your head before the lyrics? Like, before the words even exist, or do the lyrics themselves dictate the flow?

DC: More so nowadays, I usually just go with the same flow over and over. And then, the more you start scatting and babbling and stuff, you start figuring out different ways to say things and just trying to piece lyrics together.

It’s the hardest part, because you want to say something clever, but you don’t want to be just ‘overly punchline’—you’ve got to say something real.

Nowadays, I’ll come up with one thing, hate it, come up with another thing on that same beat, hate it. Go again, write something new… may like it in the moment, hate it the next day. I just keep going through renditions until I land on the absolute best one.

SN: So, you’re very determined when you make music.

DC: Mm-hmm. It was less of that on KOTMS, but for the majority of my work, when I’m really thinking about it, I go in-depth. I write and write and write until I figure it out.

SN: That’s probably why it’s so good. Being an artist, do you feel pressure that the next thing you do has to be a success? And if so, how do you handle that?

DC: I don’t know to be honest.

SN: Well, what do you do to relax and calm down?

DC: That’s the thing, I don’t really calm down at all. Anybody who knows me knows I don’t calm down, at all. And when I actually do calm down… it’s a problem.

SN: Why is that a problem?

DC: Because people think something’s wrong with me when I’m actually calm. They know me for being at a hundred all the time. And the moment I’m not, and I’m just like, ‘You know what? I’m just gonna chill. I’m just not gonna talk to nobody’, they’re like, ‘Hey bro, you alright?’ And I’m like, ‘Yeah, I’m just… just chilling’. But I find comfort in drawing a lot.  

SN: Really? What do you draw?

DC: I’ve got an iPad that I do it on, but it really depends on the medium. It could be the iPad, it could be construction paper, it could even be on fax paper. But my favorite is the composition book, because it takes me out of that headspace where I feel like I have to overthink what I’m drawing, it’s just a doodle.

SN: Would love to see your doodles. But I’ll let you get ready for your show now. See you on stage.

DC: See you.

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ON OUR RADAR https://www.numeroberlin.de/2026/03/on-our-radar-122/ Thu, 05 Mar 2026 11:37:51 +0000 https://www.numeroberlin.de/?p=69779 Numéro Berlin’s weekly collection of the most exciting news about fashion, music, and simply everything that is on our radar. And here is why it should be on yours as well!

DAGGER’S SPRING/ SUMMER COLLECTION

The Berlin-based label that captured everyone’s attention during this season’s Berlin Fashion Week is officially launching its Spring/Summer collection this week. The face of the campaign is the “Fallen Angel”, the iconic figure who sat center-stage with angel wings during the runway show.

The collection is a tribute to designer Luke Rainey’s roots: a Northern Irish skate town where he spent his youth on the skateboard. It serves as a love letter to his original skate crew, the music, and the culture of that era. The raw nostalgia woven into the designs and the label’s storytelling is what makes this brand so authentic and compelling. We look forward to seeing what the future holds for this label.

LEILA HEKMAT – “ROSES RISING – THE MOVEMENT” AT GROPIUS BAU

 

In her new commissioned work, “Roses Rising – The Movement,” artist and director Leila Hekmat explores the “bourgeois desire for resistance” and how individuals react to global crises when faith in progress and reason begins to fade. Premiering on March 6 and 7, 2026, in the Gropius Bau’s Lichthof, Berlin, the performance combines elements of a concert, ballet, and comedy to create a unique space between a bunker, a dream world, and a rehearsal room. Drawing from extensive research into 1970s protest culture, Hekmat uses intricate handmade costumes and sets to illustrate how a dinner party spirals into a surreal “happening.” This production is the first part of a collaboration with HAU Hebbel am Ufer, followed by the premiere of the stage production “The Dinner” at HAU1 on April 15, 2026.

DR MARTENS BOOT DNA IN SUMMER SLIDES

 

Dr. Martens is expanding its seasonal lineup with the Zebzag collection, a series of utility-driven silhouettes that blend a rugged, urban character with everyday functionality. These styles represent a continuation of the brand’s legacy, which began in the 1990s, of translating their iconic boot DNA into durable, open-air summer footwear.

The collection features the Zebzag Dunnet Slide, which breathes new life into a floral motif from the DM’s archives by presenting it as an asymmetrical cut-out on heavy-duty Crazy Horse leather. This design is accented with subtle ecru stitching for a vintage touch, while the signature yellow welt stitch provides that unmistakable Dr. Martens contrast.

Alongside the slide, the Zebzag Sandal offers a fresh take on utility, utilizing exceptionally soft EH Suede in shades like Black, Cornflower Blue, and Savannah Tan. With silver-toned buckles and clean, deliberate lines, the proportions and straps are specifically engineered for maximum comfort without compromising the brand’s bold aesthetic. Both models are built upon a specialized sole designed for urban life: lightweight and cushioned for all-day wear, yet featuring deep grooves to ensure stability and grip on any surface.

BELGIAN PRIDE

In 2026, MoMu Antwerp hosts the first major exhibition dedicated to the “Antwerp Six,” the legendary group that revolutionized global fashion following their 1986 debut. Jewelry designers Wouters & Hendrix, who shared that same debut year, have collaborated with the Six for decades, creating unconventional accessories for their iconic runway shows—a tradition they continue today with rising stars like Meryll Rogge.

To honor this heritage, the Wouters & Hendrix boutique is showcasing archival pieces alongside house icons such as the “Grigri” and “Mussel.” As a special tribute, a limited-edition tricolor “Cache-Clés” in the Belgian national colors will be launched exclusively at the MoMu shop on March 28, 2026, celebrating the surrealism and craftsmanship that define Belgian design.

FERRARI – YOUR SECOND SKIN

 

The Ferrari FW26 collection by Creative Director Rocco Iannone explores “skin” as a symbolic second layer that connects the individual to the world. Celebrating his tenth show, Iannone presents a vertical silhouette that balances nudity and coverage, utilizing materials ranging from delicate cupro to robust leather and padded duchesse silk.

The designs feature a diverse palette of nude tones and tactile details, such as scar-like knit patterns and piercing-fixed accessories, that merge clothing with physicality. Set in an atmosphere where water symbolizes transformation, the collection offers a plural dimension of identity, allowing the wearer to choose from many “skins” to express the Ferrari ethos.

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TO WATCH: “THE CHRONOLOGY OF WATER” BY KRISTEN STEWART https://www.numeroberlin.de/2026/03/to-watch-the-chronology-of-water-by-kristen-stewart/ Wed, 04 Mar 2026 10:53:45 +0000 https://www.numeroberlin.de/?p=69749 “THE CHRONOLOGY OF WATER”
– The story of the author Lidia Yuknavitch

The Chronology of Water is the film adaptation of the memoirs of the same name by Lidia Yuknavitch. The book tells the relentless life story of the author. Through a swimming scholarship she initially manages to move out of her family home and away from her abusive father.

After she loses this scholarship due to drug and alcohol problems however a new opportunity opens up for her. She receives the chance to write a book with author Ken Kesey who recognizes her extraordinary talent.

The film embodies the excess that runs like a common thread through Lidia’s life, painting a picture of trauma, sexuality and artistic inspiration. Despite the oppressive atmosphere that permeates the work there are recurring bright moments of hope.

With her directorial debut Kristen Stewart delivers a visually stunning arthouse movie. The scenery is powerfully captured and the dense atmosphere builds up consistently throughout the entire runtime.

The film opens in German cinemas on March 5.

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VISIONARY ISSUE HOMME VOL. A – JONATHAN LLENSE https://www.numeroberlin.de/2026/03/visionary-issue-homme-vol-a-jonathan-llense/ Mon, 02 Mar 2026 17:04:41 +0000 https://www.numeroberlin.de/?p=69734
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VISIONARY ISSUE HOMME VOL. A – FERRY VAN DER NAT https://www.numeroberlin.de/2026/03/photography-ferry-van-der-nat/ Mon, 02 Mar 2026 16:13:49 +0000 https://www.numeroberlin.de/?p=69703
PHOTOGRAPHY FERRY VAN DER NAT STYLING VINCENT VAN LAEKEN HAIR & MAKEUP DANINE ZWETS USING KEVIN MURPHY & MADARA SKINCARE PRODUCTION ELVIN AYANOGLU LIGHT ASSISTANT EMIL KOSUGE STYLING ASSISTANTS ANANO GOGESHVILI & JULIE TOCARIUC PRODUCTION ASSISTANT COSIMA WIDER CASTING MICHIEL VAN MAAREN MODELS MILAN BODEMER AT SUCCESS MODELS, THOMAS LEMAIGRE AT GARÇONS BY GERVAIS, VIRGILE D AT ROCK MEN PARIS, ILYUSHA AT BALLS MODELS, ADRIEN CARDI-NAUX AT THE FACE PARIS
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