Organic lines and curves run through the dishes as well as the cutlery, bowls, and vases, and the collection forms a distinctive aesthetic of its own for the world of Home & Living. In keeping with this, the shapes and patterns of the chain motifs repeat from the dishes into the textiles, and from the glasses into the cutlery.

Victoria Beckham’s creative vision and Westwing’s expertise in beautiful living design and hospitality come together in a collection that transforms everyday gatherings into stylish experiences. The collection is an excellent interplay of texture, craftsmanship, and form. Its unmistakable design acts as Victoria Beckham’s ingrained design code in the world of interiors. She combined the aesthetics of the 19th-century British Arts and Crafts movement with a look that feels modern at the same time.

The collection features a color palette chosen to match the organic silhouettes, effortlessly combining a sense of simplicity and permanence in style with a high level of craftsmanship. This collaboration marks a significant milestone for Westwing and underscores the brand’s relevance in Europe following its successful market entry in the United Kingdom in early 2026.

The setting makes the concept immediately clear. Built to resemble Demna’s vision of a Gucci boutique, the space is filled with displays of watches and jewelry, shelves of bags and shoes, and low, velvet-covered seating. The audience sits among the merchandise, while a street scene unfolds on screens behind the store, giving the impression of a boutique embedded in a living city. The runway itself becomes part of the shopping experience, with models entering through the store’s doors, pausing in front of displays and occasionally checking their reflections in mirrors. Rather than treating the setting as a backdrop, Demna allows the clothes and the people wearing them to inhabit it. Menswear and womenswear follow one another as two distinct collections, just as they would occupy separate sections of a store.

The collection does not remain quite so polished throughout. As the show progresses, proportions become more exaggerated, with puff-shaped outerwear, broader shoulders and slouchy denim interrupting the more restrained tailoring. Some jackets are worn loosely over the shoulders, while other looks lean into layered shirts, rugby tops and more undone styling. These shifts bring a different attitude to the collection, one that feels closer to Demna’s own design vocabulary. The contrast is particularly apparent when a classic Gucci wardrobe is disrupted by oversized outerwear or deliberately dishevelled styling. Rather than introducing an entirely new set of codes, Demna seems interested in seeing how far the existing ones can be pushed.

Gucci’s familiar codes quickly emerge. The Horsebit appears on belts and shirt pockets, while the Ophidia returns in both accessories and bags. The new 3X belt, distinguished by its three Horsebit details, makes the house’s equestrian heritage particularly visible. Dark, rectangular sunglasses recur throughout the menswear, adding a degree of Demna’s signature anonymity to otherwise carefully composed looks. There is something almost cinematic about the combination of tailored suits, slick styling and narrow eyewear, with occasional references to the sleek, body-conscious Gucci of the 1990s.

Yet the collection gradually moves away from this controlled appearance. Rugby tops, Scottish tartan, checked wool, leather and sharply pleated A-line skirts introduce a more rebellious, almost collegiate attitude. Puff-shaped jackets sit alongside masculine shirting, while oversized Horsebit details bring a familiar house symbol into more exaggerated territory. The tension between propriety and irreverence becomes one of the collection’s recurring themes.

Evening-wear eventually takes over, with fluid dresses and increasingly revealing cuts recalling Gucci’s more provocative past. The final “gravity” gown takes the idea quite literally, a teardrop-shaped metal weight hangs from the dress, pulling the fabric into place as the model moves. The casting reinforces the collection’s range of identities. Different generations and familiar faces from across the fashion industry appear within the same world. The models continue to move through the boutique as though they were customers rather than performers, stopping to look at displays or adjusting their sunglasses in the mirrors. These small gestures make the concept feel more fully realised, allowing the store to function as part of the presentation rather than simply an elaborate set.

His work is defined by an inherently asymmetrical approach, working directly from the human body, with no pattern piece ever mirrored. When meeting the Berlin-based designer at his collection launch in Berlin, he told us about his work and his clothing line, LEB, a distilled, more focused line that concentrates on the most essential elements of the main collection. In conversation with Numéro Berlin, we got an insight into who he is as an artist and designer and into his way of thinking.

As the beautiful chaos of Oslo Runway slowly comes to an end, the crowd gathers for one of the last shows in Café Sara. On arrival, I’m not sure if I’m in the right place: an old-fashioned café on the street corner, “the most democratic café in Oslo,” as I would learn later. People sit outside at the tables, having promising-looking lunch inside and an early beer here and there.

I find a seat in the backyard and wait with the rest of the fashion crowd for what’s to come. Lene3000 enters the stage, a Norwegian artist who has recently gained attention for her dreamlike, mythical vocals, often set amidst Norwegian nature. She climbs the improvised stage on the little balcony of the backyard and slowly lulls the crowd into the creative world of Anna Ringstad.

As waiters are still bringing out fries and drinks to the tables, the first models appear in the yard, blending in so well that I almost missed that we had already started. They carefully maneuver through the tight tables, seeming almost out of this world. On their faces: expressions of great strain, confusion. They pose in completely exaggerated ways, actually asking the audience to take pictures of them as they arch their bodies. They vividly long for our attention, begging the photographers to take their picture, who gladly play along, desperately trying to catch these ever-moving models.

As they rush to bring drinks to the table, they dash through the tables, spilling drinks on the mesmerized crowd. Their smiles are overpitched, lost in absurdity, all underlined by Lene3000’s singing.

The looks presented entail the same romantic bizarreness: a lot of carefully crafted knitwear, lace, braided hair, loudly screaming floral prints, heels, silk and mostly dresses or skirts.

As suddenly as they appeared, the models disappear from the backyard, leaving a fascinated yet slightly confused crowd. After the applause follows a silent anticipation – everyone is curious to see the designer, the mastermind behind a show that turned into such an intricate play.

With a similar whimsicalness as her performers before, Anna Ringstad quickly runs through the tables, hiding between huge sunglasses.

She is, next to WILHELMINA, the winner of the NEXT award, a sponsorship program by Oslo Runway to lift up emerging talent with financial support, creative feedback and industry exposure throughout the year. 

Numéro Berlin caught Anna Ringstad right after her show to sit down with her and ask what on earth this was all about.

Numéro Berlin explored the luxury resort that became one of the filming locations for Christopher Nolan’s newly released film, The Odyssey.

Following Odysseus’ legendary ten-year journey home after the Trojan War, Nolan brought the epic tale back to its Mediterranean origins, filming amid the dramatic cliffs, caves and shores of the Peloponnese. Celebrating the film’s release with screenings at its open-air cinema, while also offering specially curated excursions, artisanal workshops and activities inspired by the enduring story of Odysseus, the landscape continues to invite a different kind of voyage: one defined by design, wellness, cultural curiosity and the art of slow luxury.

Let’s be honest: it is difficult not to fall deeply in love with Greece — whether for the beauty and diversity of its landscapes, the layers of history that merge with the present in a way found almost nowhere else, its spirit of philoxenia, which goes far beyond hospitality and expresses a genuine love for strangers, or its profound joy of living and instinct for celebrating life at any moment. And, last but certainly not least, its food.

As part of an exclusive series of artworks, Greek curator and visual artist Poka-Yio raises compelling questions about the symbolic identity of hotels and their ability to serve as bridges into another space, allowing us to experience the spirit of a country in a more intimate way. He sees hotels as timeless entities: “They are certainly out of place and out of time. They are portals.” Some have the rare privilege of being built on land that carries deep, collective memories of the past.

W Costa Navarino is undoubtedly one of those portals. Opened in 2022, it is nestled in one of Greece’s best-kept secrets: the region of Messinia in the southwestern Peloponnese, a landscape shaped by more than 4,500 years of history. It forms part of an expansive luxury destination comprising premium hotels, private residences and one of the Mediterranean’s most diverse offerings for exploration, sport and wellbeing.

Driven by a philosophy of protecting and preserving Messinia while thoughtfully contributing to its development, Costa Navarino places sustainability and its relationship with the local community at the centre of its vision. Messinia is home to one of Europe’s richest regions for biodiversity — the Gialova Lagoon alone provides a habitat for 271 bird species — while also preserving an extraordinary cultural legacy, from Mycenaean palaces and vaulted tombs to Classical temples, Byzantine churches and medieval castles.

The region is further enriched by several UNESCO World Heritage Sites, including Ancient Olympia, Mystras and the Temple of Apollo Epicurius. It is also home to Ancient Messene, the Palace of Nestor and Nestor’s Cave— believed to have served as one of the filming locations for the Cyclops Polyphemus sequence in Nolan’s The Odyssey — the iconic omega-shaped Voidokilia Beach.

Costa Navarino is made up of three distinct destinations, each with its own character: Navarino Dunes, Navarino Bay and Navarino Hills.

Together, they comprise four luxury hotels. At Navarino Dunes are The Romanos, a luxury Collection Resort and The Westin Resort Costa Navarino, alongside private residences, two golf courses and a Mouratoglou Tennis Centre, the NBA Basketball School and a collection of villas available through Costa Navarino’s villa rentals programme. It is also home to the 4,000-square-metre Anazoe Spa, a renowned wellness and thalassotherapy centre.

Navarino Bay is home to Mandarin Oriental, Costa Navarino and W Costa Navarino, as well as Navarino Agora -a hub for gastronomy, culture and entertaintment open to all guests and residents of Messinia. While Navarino Hills features an additional two signature 18-hole golf courses.

My destination, however, is the vibrant W Costa Navarino.

After a three-and-a-half-hour drive from Athens Airport, the changing landscape gradually reveals what makes this corner of Greece so special. Rolling hills, olive groves and the sea create a quiet sense of anticipation long before reaching the hotel. “This is the Hamptons of Greece — just without the crowds,” someone tells me on the way.

The first thing that catches my eye upon arrival is the monumental W sculpture, rising almost four metres above the entrance. I later learn that it forms part of the hotel’s permanent art collection by Greek artist Poka-Yio, whose fascination with creating works for public spaces reflects one of the resort’s central ideas: bringing together culture, place and contemporary hospitality.

The sculpture is also a tribute to the Constantakopoulos family and their deep connection to the sea. Constructed from fragments of traditional wooden fishing boats, it preserves disappearing pieces of Greece’s maritime heritage, turning them into something entirely new.

“I turned to the old-fashioned fishing boats and trawlers that are quickly disappearing from Greece’s seas. We visited boatyards and marinas, collecting wood from abandoned boats and using it to fill the metal frame of the hotel’s sign. In a way, we connected the Constantakopoulos family’s history with the sea, creating a dialogue between memory, landscape and the present,” the artist explains.

Rather than functioning as decoration, the artworks throughout the hotel quietly anchor the property in the history of its surroundings. Alongside Poka-Yio’s own works, sculptures, photography and installations by emerging artists create a subtle conversation between antiquity and contemporary Greece.

One of my favourite discoveries appears in the reception area: clay tablets inscribed with Linear B. Their markings resemble prehistoric text messages or emojis, inviting guests to imagine one of Europe’s earliest written languages through a distinctly contemporary lens. Elsewhere, fragmented ceramic vessels evoke archaeological finds freshly lifted from beneath the sea.

For those familiar with the W brand, W Costa Navarino offers a noticeably different experience from its sister properties around the world. Overlooking the historic Bay of Navarino, the adults-only resort feels more rooted in its surroundings, balancing contemporary design with the slower rhythm of the Peloponnese.

Set along a peaceful 450-metre stretch of sandy coastline, the property features 226 rooms, including beachfront three-bedroom villas and two-bedroom suites with private rooftop pools. Throughout the season, a changing programme of events and collaborations connects guests with the surrounding landscape, offering everything from mountain biking, hiking and road cycling to rock climbing, windsurfing, waterskiing, kayaking and stand-up paddleboarding.

Wellbeing is woven just as naturally into the experience. Alongside fitness classes and yoga, the resort offers regenerative programmes inspired by Hippocratic philosophy and contemporary medical research, encouraging a more holistic approach to longevity, recovery and mental balance.

Designed as an ongoing dialogue between the raw beauty of Messinia and a contemporary vision of Mediterranean living, W Costa Navarino blends naturally into its surroundings rather than competing with them. Greek architectural studioAlexandros N. Tombazis & Associates reinterpret the spirit of the Peloponnese through natural materials, organic forms and a seamless transition between interior and exterior spaces, while MKV Design brings warmth, texture and a distinctly contemporary sensibility to the interiors.

Stone, water, vegetation and natural light constantly interact, allowing the architecture to almost disappear into the landscape. From certain viewpoints around the main pool, the horizon, the sea and the hotel seem to merge into a single uninterrupted panorama.

My favourite part of the property, however, was the Fabulous Infinity Swim-Up Guest Room. With direct access to the shared pool from each private terrace, the rooms quietly blur the boundary between private retreat and communal living — another subtle expression of how W Costa Navarino encourages guests to experience the resort not in isolation, but as part of a shared landscape.

Breakfast at W Costa Navarino unfolds like a walk through a contemporary Greek village square. Inspired by the traditional platia — the heart of every Messinian village, where people meet, talk and spend time together — the space transforms the morning ritual into something far more relaxed than a conventional hotel buffet.

Instead of one large dining hall, breakfast is spread across a series of individual “houses”: a bakery filled with freshly baked bread and pastries, a coffee shop, a deli celebrating local produce, and live cooking stations where dishes are prepared to order. Surrounded by pergolas, natural materials and Mediterranean planting, Platia captures something that Greece has always understood particularly well: that food is as much about gathering as it is about eating.

Just a few steps away lies Navarino Agora, a contemporary marketplace built around the same idea. Conceived as a meeting place for both visitors and locals, it brings together independent boutiques, restaurants, street-food concepts, an open-air cinema, immersive entertainment and a richprogramme of music, dance and cultural events. It feels less like an extension of the resort than a small neighbourhood that has grown naturally around it.

The Agora is also home to several of the resort’s 46 restaurants. One of the standouts located in the W is Parelia —stemming from the Greek words Parea, Elia and Paralia, which mean Friends, Olive and Beach— where Executive Chef Nikos Billis reinterprets the flavours of Messinia through a contemporary lens. Rooted in locality and seasonality, the menu remains unmistakably Greek while allowing familiar dishes to evolve and inspire.

No story about this part of Greece would be complete without its olive trees. Kalamata has become synonymous with some of the world’s finest olives, and throughout Costa Navarino the centuries-old groves are treated not as landscape decoration but as part of the region’s cultural identity.

That philosophy extends well beyond symbolism. During construction, nearly 7,000 olive trees were carefully transplanted and protected before being replanted across the estate —the largest olive tree relocation programmes ever undertaken in Europe. Since then, more than 9,900 native trees and over 1.2 million endemic shrubs have been introduced across the destination.

The environmental initiatives continue in less visible ways, from significantly reducing single-use plastics and investing in responsible water management to sourcing electricity from renewable energy and designing buildings that work with the landscape rather than against it. Sustainability here feels less like a marketing statement than a long-term commitment to preserving the character of Messinia while supporting the local economy.

There is even an unexpected final chapter to that story. Through the Navarino Pet Community, volunteers have already helped find homes for more than 270 stray dogs and cats. Together with the Captain Vassilis & Carmen Constantakopoulos Foundation and local organisations, the initiative “Messinia Without Strays” reflects another, quieter expression of hospitality — one that extends beyond guests to the place itself.

Since 2025, Costa Navarino has also been supported by a long-term biodiversity monitoring programme. Conducted by a team of 13 researchers from Nature Conservation Consultants, the ongoing survey documents the region’s wildlife and plant life, contributing valuable data while helping protect one of Greece’s richest natural landscapes.

What makes all of this even more meaningful is understanding how Costa Navarino came to exist in the first place.

The destination was born from the vision of Captain Vassilis C. Constantakopoulos, one of Greece’s most respected shipping entrepreneurs, who imagined a place that would celebrate rather than reinvent his native Messinia. More than creating another luxury destination, his ambition was to build a model in which hospitality, local heritage and the landscape could exist in balance — allowing the region’s cultural identity to remain intact while creating new opportunities for future generations.

Costa Navarino has become one of Europe’s leading golf destinations, with four signature courses spread across the estate. Among them are The Dunes Course, designed by former Masters champion and Ryder Cup captain Bernhard Langer in collaboration with European Golf Design, and The Bay Course by Robert Trent Jones Jr., whose route follows rolling hills, olive groves and uninterrupted views across the Ionian Sea. Both combine world-class sporting facilities with a landscape that remains unmistakably Greek.

Equally impressive is the Mouratoglou Tennis Center at Navarino Dunes, one of Europe’s leading tennis training facilities. Founded by Patrick Mouratoglou, the 

academy combines elite coaching with a global network that includes the French Riviera, Italy, Malaysia and the United States. The Costa Navarino centre features twelve tennis courts, three padel courts and two pickleball courts, with a second Mouratoglou Tennis Center scheduled to open at Navarino Bay next spring.

The destination is also home to the NBA Basketball School, the first collaboration between the NBA and a privately operated hospitality and sports destination in Europe — another example of Costa Navarino’s ambition to position itself as more than a traditional resort.

Yet perhaps the most memorable journey begins just beyond the resort itself.

Only a short drive away lies the Palace of Nestor, one of the best-preserved Mycenaean palaces in Greece and one of the places where Homer’s Odyssey still feels remarkably present. Nearby, the fortress of Niokastro in Pylos and the Archaeological Museum of Pylos trace the many civilizations that have shaped this coastline, from the Mycenaean world to Venetian and Ottoman rule.

It is here that the story comes full circle.

Long before Christopher Nolan returned to Messinia to film The Odyssey, these landscapes had already carried the memory of one of the world’s greatest journeys. Today they continue to do so — not as a backdrop for mythology, but as a place where history, culture and contemporary Greece quietly exist side by side.

At Ogata, Glass Cypress held its first fashion show in Paris with its Fall Winter 2026 collection titled “A Quiet Frontier.” Founded in 2016 by brothers Saber Ahmed and Samee Ahmed, the Texas-based menswear label has evolved outside the traditional fashion capitals. Raised by Bangladeshi parents, the brothers grew up with a sensitivity to craft and material that continues to inform the brand’s contemporary language in quiet, deliberate ways.

The rooms were spare yet quietly striking, light settling gently across wood and stone. There was a sense of stillness before anything began. On every chair lay an envelope containing a letter and a pen, waiting.

The note opened simply: “Dear friends, thank you for being here. My name, Saber, means patience, a value I did not naturally possess and one I have learned through time and work.” What followed reflected on discipline and reduction, on removing excess so that form could surface through repetition. The garments, it explained, were constructed without added effect, designed to sit with the body and reveal themselves gradually through wear.

When the show ended, the invitation remained. Guests were asked to respond, leaving behind a word of their own.

Glass Cypress continues to work closely with artisans, employing techniques such as dyeing, quilting, gathering, bridging, and washing. In Paris, the space, the letter, and the work itself seemed to move at the same tempo, unhurried and deliberate, leaving an impression that lingered long after the room had emptied.

ALPHA INDUSTRIES FW25 WINTER COLLECTION

Alpha Industries presents its FW25 collection with a focus on cold-weather essentials inspired by Iceland’s icy landscapes. Key pieces include the N-3B VF 59 Winter Jacket, N-2B Heritage Winter Jacket, and 45 P Hooded Custom Bomber Jacket, built for warmth and durability. The MOD Fur Bomber Jacket for women updates classic shapes with improved fit and comfort while keeping the brand’s tactical edge. Each design combines functional materials, military-inspired silhouettes, and city-ready style.

The collection is available at alphaindustries.eu and the Alpha Industries store in Frankfurt.

STELLA MCCARTNEY X H&M

H&M announces a new collaboration with pioneering designer Stella McCartney, marking a renewed partnership twenty years after their debut project in 2005.

A first preview of the collection was revealed at the Fashion Awards in London, where Amelia Gray, Anitta, Emily Ratajkowski, Yasmin Wijnaldum, Bel Priestley, Alton Mason, and Kiara Nirghin appeared in early looks.

The Stella McCartney H&M collection will launch in Spring 2026 in selected stores and at hm.com.

EASTPAK HOLIDAY COLLECTION FW25

The Eastpak Holiday Collection FW25 combines silver accents, Holiday Red, and clean Off White tones with versatile and functional designs, perfectly suited for office-to-holiday looks, weekend getaways, or seasonal editorial styling. Signature Hardcase travel essentials make a return, offering practical solutions for all festive travel needs while maintaining the brand’s signature aesthetic. The campaign celebrates the joy of family and friends coming together, capturing relaxed, candid moments filled with warmth and energy. Subtle and intentional messaging adds a layer of holiday and gifting context, enhancing the festive story without overpowering the visuals, creating a cohesive and inviting seasonal narrative.

ACNE STUDIOS X SPOTIFY PRESENT ROBYN LIVE IN LOS ANGELES

At the Fonda Theatre in Los Angeles, Acne Studios and Spotify welcomed friends of the brand for a special evening featuring an exclusive performance by Robyn. The legendary Swedish artist and longtime friend of Acne Studios took the stage after opening sets by Isabella Lovestory and Brownsinhazel.

Robyn performed her latest single Dopamine, alongside unreleased tracks and iconic fan favourites including Missing You and Dancing On My Own.

UGG X PALACE LOONEY TUNES COLLECTION

UGG and Palace unite with Warner Bros Discovery Global Consumer Products for a new capsule that blends laid back California style with London street energy. Launching December 5, the collection reworks the Ultra Mini and Tasman with detailed embroidery of Tweety and Sylvester, featured in chestnut, yellow, and black. Apparel pieces include a wool varsity jacket, hoodies, T shirts, and joggers.

The campaign stars Palace skateboarder Alexandrino Ferreira Da Silva, musician Shygirl, and Sylvester, set inside a surreal hotel inspired by classic cartoon corridors. Directed by Adam Toddhunter, the visuals follow a fast paced, dreamlike journey into the playful world of UGG and Palace.