Events – Numéro Berlin https://www.numeroberlin.de Tue, 21 Jul 2026 12:12:30 +0000 en-US hourly 1 HOSTED BY NUMÉRO BERLIN AT TYLKO SPACE: TYLA’S A*POP LISTENING SESSION https://www.numeroberlin.de/2026/07/hosted-by-numero-berlin-tylas-apop-listening-session/ Mon, 20 Jul 2026 15:03:35 +0000 https://www.numeroberlin.de/?p=72400
HOSTED BY NUMÉRO BERLIN: TYLA’S A*POP LISTENING SESSION

Tyla’s new album A*POP is set for release, and Numéro Berlin invited guests to an intimate private listening session ahead of its official release on 24 July. After hits like “Water“ reaching billions of streams, the upcoming album playfully blends amapiano, pop and R&B, becoming a vibrant love letter to African pop music. Hosted at Tylko Space Berlin, the evening’s intimate setting provided the perfect backdrop to experience the new tracks. 

Among the guests getting a first taste of A*POP were Luke Raine, The Mik Brothers, Jacob Rott, Luis Freitag, Ting Ting, Tim Schäker, Nic Kaufmann, Clara and many more. Tyla also stars as one of the cover personalities of Numéro Berlin’s latest issue, SEXY, photographed by none other than Aus Taylor, who was also present at the event.

After listening to the full album, Jenny Augusta moderated a conversation with Tyla where the Grammy-winning artist described A*POP as „the kind of pop album I always wanted to create.“. 

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WEEKEND MUSIC PT 101 BASHKKA https://www.numeroberlin.de/2026/07/weekend-music-pt-101-bashkka/ Fri, 17 Jul 2026 06:36:00 +0000 https://www.numeroberlin.de/?p=72375 BASHKKA ON WHOLE FESTIVAL, QUEER JOY AND THE POWER OF THE DANCEFLOOR

Munich-born DJ and producer BASHKKA has carved out a singular place within contemporary club culture. Of Turkish descent, she spent a decade in New York, where she became immersed in the city’s ballroom and trans communities. That influence continues to shape her sets, which move fluidly between house, ghetto tech and ballroom, while informing her belief in the dancefloor as a space for care, connection and community.

This weekend, she returns to WHOLE Festival, one of the world’s leading queer festivals. The appearance comes just ahead of the launch of INVIGORATE AM., her first party series at Amsterdam’s Club RAUM, an extension of the ideas around intimacy, connection and community that increasingly define her work.

We spoke with BASHKKA about WHOLE Festival, queer joy in challenging times, the importance of protecting dancefloors, and why creating spaces built on care, connection and community have become central to everything she does.

BILLY BURRELL: Much more than a music festival, WHOLE feels like a queer utopia. What makes it so unique?

BASHKKA: There’s no mental negotiation. You’re not adjusting or holding back. You just are, and that’s enough.

“You just are, and that’s enough”
BB: You’re playing a 4am Monday slot, one of the last of the weekend. What kind of energy does a closing set call for, and does it give you more freedom to take risks?

B: By then it’s more internal than external. You’re not chasing reactions. You’re guiding a shared headspace. That’s where risk feels natural.

BB: In an increasingly hostile world for queer and trans people, WHOLE feels unapologetically joyful. Does that make spaces like this feel more necessary than ever?

B: More than ever. There’s a gap between being welcomed and being centered and you can feel it. It matters when that joy is real, not just aesthetic.

BB: People often talk about dancefloors as spaces of freedom, but freedom doesn’t happen by accident. What makes a dancefloor feel safe enough for people to truly let go?

B: A real dancefloor works because people protect it. That’s what makes freedom possible.

“A real dancefloor works because people protect it”
BB: You play some of the world’s most influential clubs, while remaining deeply connected to grassroots queer communities. How do you stay connected to those communities as your career continues to grow?

B: Spaces are/can be a chapter, but even more so they’re the core. So I stay close by being intentional, who’s in the room, who’s shaping it. Because sometimes the narrative is smoother than the reality.

BB: You’re launching your first party, INVIGORATE A.M., at Club RAUM in Amsterdam. You say it’s about creating “a recalibration of energy that connects rather than consumes.” Is that something you’ve been searching for on dancefloors yourself?

B: Yes, and I think a lot of us have. There’s been this shift where dancefloors can feel a bit transactional and parties feel performative. INVIGORATE A.M. is my way of reintroducing intimacy into that space slowing things down emotionally, even if the music still moves. It’s about depth, not just intensity.

BB: And finally, if your WHOLE set had one intention, what would it be?

B: Less Hype. More Hips.

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WEEKEND MUSIC TIP PT 100 LOLLAPALOOZA https://www.numeroberlin.de/2026/07/weekend-music-tip-pt-100-lollapalooza/ Fri, 10 Jul 2026 10:30:36 +0000 https://www.numeroberlin.de/?p=72279 8 ACTS YOU CAN’T MISS AT LOLLAPALOOZA

Every summer, Berlin’s festival calendar revolves around one weekend. Lollapalooza returns to the Olympiapark with another line-up that spans continents, genres and generations, bringing together household names, cult favourites and artists on the cusp of something bigger. Across two days, pop sits comfortably alongside techno, indie, hip hop and everything in between, making it one of the city’s most eclectic musical gatherings. It is just as much about discovery as it is the headliners, with emerging acts sharing the bill alongside established names from across the globe. Before making your way between stages this weekend, these are the eight performances we’d recommend adding to your schedule.

SATURDAY

LILY ALLEN

Nearly two decades after Smile introduced her sharp wit and unmistakable voice, Lily Allen remains one of Britain’s most compelling pop artists. Following a year spent touring West End Girl, she brings the acclaimed show to Lollapalooza, performing the album in its entirety from start to finish. Expect the same blend of honesty, humour and vulnerability that has defined her career, alongside the sharp lyricism and irresistible pop sensibility that first made her one of Britain’s most distinctive voices.
ATARASHII GAKKO!
Few live acts are as exhilarating or unpredictable as Japan’s ATARASHII GAKKO! Blending J-pop, punk, jazz, hip-hop and performance art into an explosive spectacle, the quartet has earned a global following through their infectious energy and fearless originality. With synchronised choreography, theatrical costumes and an irrepressible stage presence, their set promises to be one of the weekend’s most unforgettable performances.
LOVEFOXY
Berlin-born Lovefoxy is part of a new generation reshaping the city’s electronic scene. Drawing from the euphoric sounds of ’90s house while adding her own contemporary edge, she has quickly built a reputation for energetic sets and a magnetic stage presence. Blending club culture, performance and a distinct visual identity, Lovefoxy brings the spirit of Berlin’s underground to the big stage.
VINCENZO DIMINO
ZARA LARSSON
Zara Larsson has spent the past decade refining the formula of contemporary pop. From the global success of Lush Life to her collaborations and solo hits including Symphony and Never Forget You, the Swedish singer has built a world of precision, confidence and effortless hooks. With her signature vocals and immaculate stage presence, Larsson brings the kind of polished pop spectacle that has made her an international favourite.

SUNDAY

ZARTMANN

Zartmann has quickly established himself as one of Germany’s most interesting new voices, blending indie, hip-hop and alternative pop with a deeply personal approach to songwriting. His understated delivery and sharp lyricism have earned him a growing audience, placing him among the country’s most exciting emerging artists. He’s from Berlin too, so expect a rousing reception.

SELF ESTEEM 

Another Brit, Rebecca Lucy Taylor’s project Self Esteem has become one of contemporary music’s most vital artistic voices. Combining razor-sharp lyricism with theatrical pop, gospel influences and unapologetic honesty, her performances explore confidence, vulnerability and identity with remarkable intensity. Equal parts concert and cathartic celebration, her live shows leave a lasting impression.

BOYS NOIZE

Hailing from Hamburg but based in Berlin, Boys Noize returns to home turf with the uncompromising electronic sound that has made him one of the world’s most respected DJs and producers. Moving effortlessly between techno, electro and acid house, his high-energy sets are driven by relentless rhythms and precision mixing. Expect one of the festival’s most exhilarating late-night dancefloor moments.

ANITTA

Anitta has become one of Brazil’s biggest global exports, blending funk carioca, reggaeton, pop and Latin rhythms into a sound entirely her own. With bold performances and sharp choreography, she has brought Brazilian music to audiences around the world while building a catalogue of international hits. Her appearance at Lollapalooza adds one of the weekend’s most recognisable global names to the line-up.

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Heinrich Dinkelacker Opens New Store in Berlin-Charlottenburg https://www.numeroberlin.de/2026/06/heinrich-dinkelacker-opens-new-store-in-berlin-charlottenburg/ Fri, 12 Jun 2026 13:25:22 +0000 https://www.numeroberlin.de/?p=71699

For Heinrich Dinkelacker, tradition is not a nostalgic concept but a living practice. With the opening of a new store in Berlin-Charlottenburg, the German shoemaking house brings more than 140 years of craftsmanship to the capital.

Located on Leibnizstraße 59, the new store offers an immersive introduction to the world of Heinrich Dinkelacker, showcasing the craftsmanship, premium materials and attention to detail that have defined the brand for more than 140 years.

The opening also marks a new creative chapter. Since 2025, Heinrich Dinkelacker has been collaborating with Berlin-based OOR Studio. Under the creative direction of Thomas Hauser, the partnership has produced the Spring/Summer 2027 collection, reinterpreting the brand’s shoemaking heritage through a contemporary lens. Selected pieces from the collaboration will be showcased in the new Berlin store before making their international debut at Pitti Uomo in Florence.

Balancing heritage with innovation, Heinrich Dinkelacker reaffirms its position as a brand that does not simply preserve tradition, but continuously reimagines it — modern since 1879.

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PERFORMANCE “URGENCY” AT HAUS DER VISIONÄRE BERLIN https://www.numeroberlin.de/2026/04/performance-urgency-at-haus-der-visionare-berlin/ Thu, 02 Apr 2026 16:29:04 +0000 https://www.numeroberlin.de/?p=70410 “URGENCY” – AN IMMERSIVE DANCE PERFORMANCE

Those entering “Urgency” won’t find themselves in front of a traditional stage. The performers move through the entire space, right among the audience. This makes the environment itself part of the choreography, dissolving the boundary between observer and the action. Depending on where you position yourself, different dancers come into focus. A mysterious figure in a white coat appears again and again, like a recurring thread within a seemingly chaotic yet precisely choreographed structure. The atmosphere is strongly reminiscent of Berlin techno clubs: dark, intense, and full of niches where expressive dance scenes unfold.

Choreographer Renato De Leon explains that the central idea of the piece is based on the figure in the white coat, who initially moves through a euphoric, almost utopian world. This harmony is disrupted by the intrusion of the “normal world”, a reality characterized by rigid rules, regimes, and borders. The dancers represent various internal conflicts, each undergoing their own individual development. This process eventually leads them to come together to break through these imposed barriers.

This is Renato’s first production independently realized under his own label, Leonis Works. The performers include friends he has been collaborating and dancing with for years:

“It was all people that I knew and trusted which is why I chose them, because I wanted to work with a team that I can fully trust and feel good with.”

Created by queer artists and shaped by personal experiences of conflict, rooted particularly in Mexican-American border struggles, the piece reveals how power structures and social systems leave their mark on the body. Movement becomes a direct expression of lived reality. This site-specific approach demonstrates that borders are not abstract concepts, but realities that affect us physically and directly.

The performance feels profoundly personal, artfully translating internal conflicts into a stage experience. Each dancer brings a distinct style and individual energy to the space, yet, the choreographers have succeeded in merging these diverse movement languages into a cohesive narrative that remains visually striking throughout. As these personified emotions, represented by the dancers, eventually converge, the piece finds a beautifully harmonious and well-rounded conclusion.

The production features costumes by HADERLUMP, a Berlin label, which recently showcased its latest collection at Berlin Fashion Week. Technically, the production combines live dance, motion tracking, and projections into an immersive 360-degree environment. A politically charged soundscape, delivered via a d&b audiotechnik spatial sound system, surrounds the audience from all directions and completes the experience.



The performance can be seen on April 2nd and 3rd at Haus der Visionäre in Berlin. Shows start at 8:30 PM and 10:00 PM.



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PRIVATE DINNER AT SCHLACHTER 151 https://www.numeroberlin.de/2026/03/private-dinner-at-numero/ Mon, 23 Mar 2026 17:15:00 +0000 https://www.numeroberlin.de/?p=70201 NUMÉRO BERLIN X OONA: A NIGHT AT SCHLACHTER 151

In honor of OONA’s exhibition opening at Schlachter 151, the teams from Numéro Berlin and CIFRA hosted a private dinner to celebrate the artist’s vision and her performance ‘For Human Eyes Only’ alongside close friends of the magazine and the art scene. Among the guests were many key figures from the Berlin fashion industry, such as Götz Offergeld, publisher and editor-in-chief of Numéro, as well as deputy-editor-in-chief Antonia Schmidt, Ann-Kathrin Riedl, editor-in-chief of Fräulein Magazine, the editor-in-chief of Gruppe Magazine, Hella Schneider, stylist Marvin Lobodda, and influencers Hanna Goldfisch and Lele Berlin, alongside the curator of the exhibition Anika Meier and other collectors and artists.

Throughout the evening, the artist remained true to her central motif. Despite her physical presence, her face stayed hidden to preserve her essential anonymity. Her work raises existential questions: “If machines are trained to read the body as data, what does it mean to be seen? And what becomes visible when the machine fails to detect the body?” In this context, cameras are transformed from instruments of control into collaborators.

Last week, the Schlachter 151 exhibition space hosted the opening of OONA’s first solo exhibition. Under the title “Dear David: A Surveillance Love Story,” the artist presents a body of work born from an unusual symbiosis. Since 2019, OONA has performed in the London Underground in front of surveillance cameras, appearing not as an anonymous passerby but as if positioned before the lens of a fashion photographer. To obtain this material, she entered into an exchange with David, whose job involves managing this data. Over 400 emails later, a digital connection developed between two strangers, forming the foundation of her art.

The dinner was powered by CIFRA, a platform for digital and video art that provides specialized software and hardware for a precise presentation of digital works.

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Creed Celebrates Grand Opening of Its Berlin Boutique https://www.numeroberlin.de/2026/03/creed-celebrates-grand-opening-of-its-berlin-boutique/ Sat, 14 Mar 2026 10:46:24 +0000 https://www.numeroberlin.de/?p=69965 The luxury fragrance house Creed brings its centuries-old perfumery tradition to the heart of Berlin

What does luxury mean today? High prices alone are no longer a convincing answer. Increasingly, luxury is defined by individuality, rarity, and craftsmanship at the highest level. It is therefore no surprise that niche fragrances have become one of the most compelling expressions of this new understanding of luxury. More than clothing or accessories, a perfume often becomes an intimate extension of its wearer – a form of self-expression that exists beyond trends, and marketing campaigns. In choosing a fragrance, one reveals something personal: a sensibility, a mood, a sense of style.

Among the houses that have helped turn niche perfumery into one of the most coveted phenomena in the luxury industry is Creed, a brand with a history stretching back centuries. Founded in 1760 by James Henry Creed in London, the company originally operated as a tailoring house. Early on, however, scent became part of its story: the family supplied scented leather gloves and perfumed garments to the British royal court. Their reputation soon spread across Europe, and before long even Napoleon III and Empress Eugénie of France counted among their clientele. Over time, Creed evolved into a dedicated perfume house while maintaining the aura of an old-world atelier rooted in heritage and craftsmanship.

Throughout its long history, Creed has built an international reputation for refined fragrances and meticulous production. The brand’s philosophy has always revolved around carefully sourced ingredients and traditional techniques, with raw materials obtained from around the world. Rather than rushing products to market, the process of creating a fragrance is often compared to the crafting of an exceptional wine: essential oils are blended with precision and allowed time to mature until the composition reaches its ideal balance. If a fragrance does not meet the house’s standards, releases have reportedly been postponed – even when bottles were already prepared for filling. This dedication to craft has become part of the brand’s mythology.

The house’s most famous success is undoubtedly Aventus, the now legendary fragrance launched in 2010 to celebrate Creed’s 250th anniversary. Created by Olivier Creed together with perfumer Jean-Christophe Hérault, Aventus combines bright notes of pineapple and blackcurrant with smoky birch, oakmoss, and musk. The scent, inspired by themes of strength, ambition, and conquest, quickly became a cult favorite among fragrance enthusiasts and is widely credited with redefining modern men’s (niche) perfumery. Through word of mouth, fragrance forums, and social media, Aventus developed into a global phenomenon – one of the most talked-about perfumes in contemporary luxury.

Since this weekend, Berliners can experience Creed’s fragrance universe firsthand. The brand has opened a new boutique in the vibrant Weinmeisterstraße area at Neue Schönhauser Straße 9, one of the city’s most dynamic shopping districts. Housed in a historic building with a striking pink façade, the space feels like a jewel set within the neighborhood’s lively mix of fashion, design, and culture. It is the second Creed boutique in the German-speaking region after Vienna.

Ahead of the official opening on Saturday, March 14, selected guests were invited to a private preview event the day before. The relaxed gathering included guided tours of the boutique, personalized scent consultations, and a fragrance masterclass offering insight into Creed’s most iconic compositions. A particular highlight was the presentation of Wild Vetiver, the house’s newest fragrance, which reinterprets the classic ingredient through a contemporary lens.

Inside, the boutique is designed to feel warm, intimate, and quietly luxurious. Rather than encouraging quick purchases, the space invites visitors to linger and explore. Guests are guided through Creed’s fragrance universe through personalized consultations, allowing them to discover the scent that best reflects their own character.

Because perfume, perhaps more than any other luxury object, is deeply personal. It is often the first signal we send out into the world – something that precedes us before a word is spoken. The fragrance we choose may change with mood, time of day, or occasion, yet it always remains closely tied to identity and style. Creed’s perfumes embrace this idea fully: rich, layered, and expressive compositions presented in iconic, opulent bottles that feel almost like collectible objects.

With its new Berlin boutique, Creed brings this tradition of artisanal perfumery to a city where individuality and self-expression are part of everyday life. And in doing so, it offers a reminder that true luxury may not lie in abundance, but in the rare moments when craft, identity, and emotion come together – sometimes in the form of a single, unforgettable scent.

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