Fashion – Numéro Berlin https://www.numeroberlin.de Mon, 17 Aug 2026 10:58:28 +0000 en-US hourly 1 Photography JORRE JANSSENS https://www.numeroberlin.de/2026/08/photography-jorre-janssens/ Mon, 17 Aug 2026 10:56:48 +0000 https://www.numeroberlin.de/?p=73166
Look LOEWE Photography JORRE JANSSENS Styling KAT ZOLOTOTRUBOVA Hair QUENTIN GUYEN Makeup NISHA GULATI Photography Assistant VIKTOR PODCACH Model EDEN CHALON Editor in Chief & Artistic Director GÖTZ OFFERGELD
Look GUCCI
Shorts LEVI`S Shoes ACNE STUDIOS
Jumpsuit KVRT STVFF Backpack THE NORTH FACE
Look CELINE
Look LOUIS VUITTON
Perfume CREED WILD VETIVER
Look DOLCE & GABBANA
Look DIOR
Look SAINT LAURENT BY ANTHONY VACCARELLO
Look ACNE STUDIOS Watch HUBLOT
Look DSQUARED 2 Jewelry CARTIER
Look ISSEY MIYAKE
Look VALENTINO
Look PRADA
Look VERSACE
Jacket BARACUTA Underwear DSQUARED2
Look VERSACE
Look GIORGIO ARMANI
Look DRIES VAN NOTEN Shoes NEW BALANCE
Photography JORRE JANSSENS Styling KAT ZOLOTOTRUBOVA Hair QUENTIN GUYEN Makeup NISHA GULATI Photography Assistant VIKTOR PODCACH Model EDEN CHALON Editor in Chief & Artistic Director GÖTZ OFFERGELD Look GIVENCHY
Look LOEWE Photography JORRE JANSSENS Styling KAT ZOLOTOTRUBOVA Hair QUENTIN GUYEN Makeup NISHA GULATI Photography Assistant VIKTOR PODCACH Model EDEN CHALON Editor in Chief & Artistic Director GÖTZ OFFERGELD
Look GUCCI
Shorts LEVI`S Shoes ACNE STUDIOS
Jumpsuit KVRT STVFF Backpack THE NORTH FACE
Look CELINE
Look LOUIS VUITTON
Perfume CREED WILD VETIVER
Look DOLCE & GABBANA
Look DIOR
Look SAINT LAURENT BY ANTHONY VACCARELLO
Look ACNE STUDIOS Watch HUBLOT
Look DSQUARED 2 Jewelry CARTIER
Look ISSEY MIYAKE
Look VALENTINO
Look PRADA
Look VERSACE
Jacket BARACUTA Underwear DSQUARED2
Look VERSACE
Look GIORGIO ARMANI
Look DRIES VAN NOTEN Shoes NEW BALANCE
Photography JORRE JANSSENS Styling KAT ZOLOTOTRUBOVA Hair QUENTIN GUYEN Makeup NISHA GULATI Photography Assistant VIKTOR PODCACH Model EDEN CHALON Editor in Chief & Artistic Director GÖTZ OFFERGELD Look GIVENCHY
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SEXY ISSUE VOL A – ORIANE VERSTRAETEN https://www.numeroberlin.de/2026/08/sexy-issue-vol-a-oriane-verstraeten/ Mon, 03 Aug 2026 10:23:43 +0000 https://www.numeroberlin.de/?p=72762
Photography ORIANE VERSTRAETEN Styling KAT ZOLOTOTRUBOVA Hair JOFFREY CONINGS Makeup PHILIPPO WOUT Production MÉLANIE BEYL Set Design VIKTOR KOMSKII Photography Assistant KOIN VERNIMMEN Styling Assistants THIBAUT BERGALASSE, IKIU CAPOU SIRIPANGNO Model ANOUK SMITS Jumpsuit ATTICO Shoes VERSACE Earrings D’HEYGERE
Look SAINT LAURENT BY ANTHONY VACCARELLO Socks FALKE
Pants DSQUARED2
Top COURRÈGES
Look MAGDA BUTRYM
Look CHLOÉ
Photography ORIANE VERSTRAETEN Styling KAT ZOLOTOTRUBOVA Hair JOFFREY CONINGS Makeup PHILIPPO WOUT Production MÉLANIE BEYL Set Design VIKTOR KOMSKII Photography Assistant KOIN VERNIMMEN Styling Assistants THIBAUT BERGALASSE, IKIU CAPOU SIRIPANGNO Model ANOUK SMITS Skirt ALAÏA Bra N21
Photography ORIANE VERSTRAETEN Styling KAT ZOLOTOTRUBOVA Hair JOFFREY CONINGS Makeup PHILIPPO WOUT Production MÉLANIE BEYL Set Design VIKTOR KOMSKII Photography Assistant KOIN VERNIMMEN Styling Assistants THIBAUT BERGALASSE, IKIU CAPOU SIRIPANGNO Model ANOUK SMITS Jumpsuit ATTICO Shoes VERSACE Earrings D’HEYGERE
Look SAINT LAURENT BY ANTHONY VACCARELLO Socks FALKE
Pants DSQUARED2
Top COURRÈGES
Look MAGDA BUTRYM
Look CHLOÉ
Photography ORIANE VERSTRAETEN Styling KAT ZOLOTOTRUBOVA Hair JOFFREY CONINGS Makeup PHILIPPO WOUT Production MÉLANIE BEYL Set Design VIKTOR KOMSKII Photography Assistant KOIN VERNIMMEN Styling Assistants THIBAUT BERGALASSE, IKIU CAPOU SIRIPANGNO Model ANOUK SMITS Skirt ALAÏA Bra N21
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PRADA F/W 26: “SIMPLE STORIES” https://www.numeroberlin.de/2026/07/prada-f-w-26-simple-stories/ Wed, 29 Jul 2026 10:55:08 +0000 https://www.numeroberlin.de/?p=72688 PRADA F/W 26: ZOOMING INTO “SIMPLE STORIES”

 

 

For their upcoming Fall/Winter campaign, head designers Miuccia Prada and Raf Simons reflect on their previous collections through “Simple Stories”.

Prada has long maintained a close relationship with cinema, whether through direct collaborations with movie directors, most recently Yorgos Lanthimos for “Ritual Identities“, a series of surreal short films exploring identity and transformation, or through spectacular costume collaborations in high-profile films such as Wes Anderson’s “The Grand Budapest Hotel”, for which Prada designed key luggage pieces and contributed to the film’s distinctive visual universe. This long-standing dialogue with film also includes Roman Polanski’s “A Therapy”, a witty short film starring Ben Kingsley and Helena Bonham Carter, as well as Baz Luhrmann’s “The Great Gatsby”, where Prada reinterpreted archival designs for the lavish 1920s-inspired costumes.

Drawing inspiration from film for the new campaign therefore feels like a natural progression: it becomes a fashion vision, magically reframed through the lens of director Barry Jenkins. Clothes become whole new characters, drawing enticing worlds on the screen. Brought to life by Chen Haoyu, Kelvin Harrison Jr., Hunter Schafer and Troye Sivan, the viewer is drawn into a personal world—the stories of others that seem so simple at first glance but begin to unfold into complexity once you look closer.

The images created are intentionally quiet, with still lifes juxtaposed against the enigmatic portraits. Within the reflective yet realistic images, there lingers the echo of filmic contrasts, and the quiet legacy of a fashion brand deeply intertwined with the beauty of film.

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SEXY ISSUE VOL A – BRAD ELTERMAN https://www.numeroberlin.de/2026/07/sexy-issue-vol-a-brad-elterman/ Tue, 28 Jul 2026 08:00:00 +0000 https://www.numeroberlin.de/?p=72649
WORDS AND INTERVIEW BY HENDRIK LAKEBERG
PHOTOGRAPHY Brad Elterman STYLING Tabitha Sanchez GROOMING & MAKE UP Mitzi Spallas PHOTOGRAPHY ASSISTANT @johnny_le EDITOR IN CHIEF & ARTISTIC DIRECTION Götz Offergeld ART DIRECTION Mirko Borsche
PHOTOGRAPHY Brad Elterman STYLING Tabitha Sanchez GROOMING & MAKE UP Mitzi Spallas PHOTOGRAPHY ASSISTANT @johnny_le EDITOR IN CHIEF & ARTISTIC DIRECTION Götz Offergeld ART DIRECTION Mirko Borsche
“I did it out of love” Why punk icon Billy Idol remained future facing

There are artists who belong to an era — and artists who somehow survive several of
them: Billy Idol emerged from the wreckage of seventies England, when punk was less a
style than a reaction to a deep economic recession, social apathy, and political crisis.
Long before he became one of MTV’s defining faces, he was part of London’s original
punk underground: a scene shaped by economic crisis, youth frustration, radical self-
invention and figures like Malcolm McLaren, who understood earlier than most that pop
culture itself could become theater, provocation and strategy. But Billy Idol was never a
purist. Where many punk contemporaries rejected image, he embraced it. Where others
feared pop, he understood its power. Across the decades, he continuously mutated:
from London punk outsider and frontman of the iconically named band Generation X to
global rock icon, from leather-clad MTV antihero to the futuristic digital dreamscape of
Cyberpunk — an album once dismissed as excessive but, which, in retrospect, feels
strangely prophetic in an age of online identities, curated selves and algorithmic culture.
His latest album, Dream Into It, released in 2025, feels less like a comeback than a
reflection. Structured almost autobiographically, the record revisits the chaos and
seduction of punk, the excesses of fame, addiction, survival, reinvention and rebirth —
while still remaining strangely future-facing. Collaborations with younger artists like Avril
Lavigne underline something that has always separated Idol from many of his
contemporaries: an instinct to move with the times but staying true to a core idea: a
playful disruption of the status quo. Now more than four decades after punk first
announced “no future,” Billy Idol remains culturally legible in a way that many of his
peers do not. Perhaps because his career was never really about nostalgia. It was about self-invention: how rebellion changes shape across generations, technologies and
culture. In conversation with Numéro Berlin, Billy Idol reflects on coolness, charisma,
masculinity, digital identity, punk as liberation, and why the future he imagined in the
nineties no longer feels fictional at all.

Hendrik Lakeberg: Before punk became a style or a music scene, what did it mean to you personally? Was it rebellion, freedom, performance, escape — or something else entirely?

Billy Idol: All of those things. England was in a certain place where the economy had fallen apart completely. There were constant strikes and people protesting. As kids, we were told there was really no future for us. For us, it was liberating, in a way. It was being forced into doing what we truly wanted to do with our lives because there was no other option. But that was great because you really had to do what you loved, and in my case it was music. We were really doing it just for the sheer love of it. We didn’t think it was gonna go mega or anything like that. We were just trying to do something we found exciting for the few other people who are into it.

HL: Back in the early punk days, what made someone truly cool to you? Was it style, attitude, unpredictability, intelligence — or simply the feeling that they refused to belong? Do you think coolness still comes from resistance today, or has it become something else?

BI: David Bowie, Lou Reed, John Lennon or Iggy were telling you “find out who you are and be it.” We were looking for people who went out on a limb and tried something that wasn’t necessarily commercial. We were looking for substance more than commerciality. Funny enough, now you will hear some of this music in adverts, but at the time, if I played you Iggy’s Raw Power in my dorm room at University, people couldn’t understand why you were listening to that “terrible sound.” We liked putting people off, in a way, not doing something that was trying to placate people or pander at all. What’s cooler than that?

HL: In earlier eras, rock stars often performed invincibility. Today, self-awareness and vulnerability seem much more culturally present. Has getting older changed the way you think about masculinity, confidence, or performance?

BI: When I was in Generation X, we were doing punk rock music, and while it was relatively diverse for the genre, it was mostly short, succinct songs. Our records became more eclectic as we moved forward, even though they were still punk rock records. Then, later in my own career, musically I did start to go all over the map because that’s what I’d grown up with as a fan – artists who didn’t just stick to one style of music. So once I started my solo career, I started to do music that reflected what I personally liked – rock music, dance music, ballads – and that led to my performance style gradually changing. I also started to put sex into my music, and I deliberately developed my image with that aspect because I wasn’t seeing that in many other groups in the 70s. The 80s became all about sex, and that’s what I was already doing. So over time, my performance did change because the music I made was changing, and you could hopefully feel confidence but also vulnerability in what I was doing.

HL: In the seventies, rebellion happened physically: clubs, scenes, nightlife, people in rooms together. Today, identity is often constructed online. Is that a loss for culture?

BI: In the 70s and 80s, you had to be there. You had to be there in person or see the little grainy black and white pictures in the English magazines that came out weekly. Today, you can participate at arm’s length and still feel that you’re part of it, but back then, a big factor was knowing what was going on by going out and finding it. You had to be cool enough to seek things out and experience them for yourself.

HL: When you made Cyberpunk, digital identity still felt speculative and futuristic. Now people curate versions of themselves constantly online, and AI is beginning to shape creativity itself. Does this moment feel like the future you imagined — or something stranger?

BI: Many of the things that I was thinking about on Cyberpunk have come true. It was really a science fact album, not a science fiction album. The internet was already going, it was called the World Wide Web, and there was already a dark side to the internet at the time, as there is now. Prior to making Cyberpunk, I think I thought I would be dead by the time many of the things going on today materialized, but once I started making the record, I realized much of this stuff is going to happen in my lifetime. And it has.

I did what I did out of love. I loved the music, I loved rock’n’roll, I loved being part of this music revolution we were growing up alongside.

It was all purely for the love. Maybe that comes through to the audience and inspires them as much as it has inspired me all these years.

HL: Your recent collaboration with Avril Lavigne connected two very different generations of punk and pop culture. What still feels shared between those generations — and what has completely changed?

BI: There are touchstones in punk rock music that reach across the generations, across that divide. I think that’s what Avril and I can see in each other. We’re turned on by the same things, whether it be sounds, clothes or attitudes. I think aspects of what’s going on today in America are very similar to what was happening in England in the 70s. On the song “77” I did with Avril, I’m singing about what I remembered and she’s singing about today, but we’re both identifying a similar polarization in society that unfortunately still remains.

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ON OUR RADAR https://www.numeroberlin.de/2026/07/on-our-radar-142/ Thu, 23 Jul 2026 11:17:52 +0000 https://www.numeroberlin.de/?p=72541 Numéro Berlin’s weekly collection of the most exciting news about fashion, music, and simply everything that is on our radar. And here is why it should be on yours as well!

QUEER READING ROOM

Australian skincare brand Aesop takes its name from the legendary Greek storyteller Aesop—and for good reason. Literature has long been at the heart of the brand, serving as a source of inspiration and a platform for voices that are too often overlooked, including authors from the LGBTQIA+ community.

To celebrate Pride in Berlin this weekend, selected Aesop stores will replace their signature products with shelves filled entirely with queer literature. Even better, every visitor is invited to take one book home free of charge, while supplies last.

Accompanied by Aesop’s distinctive aromatic scent compositions, this year’s edition, Body of Work, explores the human body as an expression of our inner world and its relationship to the forces that shape us from the outside. Since launching in 2021, the initiative has gifted more than 115,000 books worldwide.

The Queer Reading Room runs from 22–25 July at the Aesop store on Kurfürstendamm 17, Berlin.

ALO’S EYEWEAR DEBUT

ALO steps into eyewear with its first collection of six Japanese-crafted sunglasses, designed in Los Angeles and handcrafted in Japan using premium Takiron acetate. Balancing timeless silhouettes with a contemporary edge, the debut range marks the next evolution of the brand’s studio-to-street aesthetic.

Fronted by Lila Moss, Amelia Gray, Matthew Noszka, Lara Stone, Alton Mason, and Estelle Chen, the cinematic campaign by Bardia Zeinali captures themes of individuality and perspective through a polished, sun-drenched visual narrative. The collection is available now, with prices ranging from €245 to €365.

DR. MARTENS X MHL: BRITISH CRAFT, REIMAGINED

Dr. Martens and MHL. have unveiled their first-ever collaboration, reinterpreting the iconic 1461 shoe through a shared appreciation for craftsmanship, utility and timeless design. Handmade in England, the style combines chrome-free leather from renowned tannery C. F. Stead with MHL.’s understated, functional aesthetic. The collaboration marks the launch of Statements in Craft, a new series celebrating traditional manufacturing, enduring materials and thoughtful design.

THE ATTICO – WHERE WE ARE FROM

To mark its tenth anniversary, The Attico looks inward rather than back. Where We Are From is a reflection on the brand’s Italian roots, translating heritage into a contemporary wardrobe shaped by instinct, precision and ease. Lace, tailoring, denim and tactile textures are reimagined through a modern lens, while signature accessories like La Passeggiata return in fresh seasonal iterations. More than a celebration, the collection is a confident ode to Italian femininity – lived, inherited and made for the present.

HAVAIANAS X THE DEVIL WEARS PRADA 2 

Havaianas enters a new fashion era with its collaboration with 20th Century Studios’ The Devil Wears Prada 2. The partnership introduces the Puffed Family — a bold, elevated take on the brand’s iconic silhouettes featuring statement volumes, padded straps, and fashion-forward proportions.

Built around the idea that “if it’s not heels, it’s Havaianas,” the launch celebrates a new approach to style where comfort, individuality, and self-expression take the spotlight.

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EDITORIAL: BECOMING DANDELION BY TIM SONNTAG https://www.numeroberlin.de/2026/07/editorial-becoming-dandelion-by-tim-sonntag/ Tue, 21 Jul 2026 12:39:07 +0000 https://www.numeroberlin.de/?p=72453
Photography: Tim Sonntag represented by Julia Waldmann Styling: Alex Nyilas Hair & Make Up: Angelique Waltenberg Talent: Jesse Pit Leppen represented by Tigers Management
Photography: Tim Sonntag represented by Julia Waldmann Styling: Alex Nyilas Hair & Make Up: Angelique Waltenberg Talent: Jesse Pit Leppen represented by Tigers Management
Photography: Tim Sonntag represented by Julia Waldmann Styling: Alex Nyilas Hair & Make Up: Angelique Waltenberg Talent: Jesse Pit Leppen represented by Tigers Management
Photography: Tim Sonntag represented by Julia Waldmann Styling: Alex Nyilas Hair & Make Up: Angelique Waltenberg Talent: Jesse Pit Leppen represented by Tigers Management
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ON OUR RADAR https://www.numeroberlin.de/2026/07/on-our-radar-141/ Thu, 16 Jul 2026 10:34:33 +0000 https://www.numeroberlin.de/?p=72342 Numéro Berlin’s weekly collection of the most exciting news about fashion, music, and simply everything that is on our radar. And here is why it should be on yours as well!

SCANDI SUMMER: TEKLA

Copenhagen-based brand Tekla introduces “Marstrand,” a capsule collection inspired by the ease of Scandinavian summer days by the water. The collection features everything needed for a day at the beach, including swimwear, beach bags, towels and shirts in sun-bleached fuchsia.

To achieve these distinctive designs, Tekla uses a special dyeing technique that evokes vintage textiles naturally faded by sun and salt. Shot by Philip Messmann, the accompanying campaign unfolds in two chapters: the first aboard a boat, the second in a Swedish coastal town, capturing the quiet charm of a Scandinavian summer.

BRYAN ADAMS FOR BLAUER

Bryan Adams steps behind the camera for Blauer’s FW26/27 campaign. Shot in London, the musician and photographer captures rising British artists DYLAN, Cassyette and Ben Kidson, placing authenticity at the heart of the project. Blending technical outerwear with music and portraiture, the campaign marks another step in Blauer’s evolving visual identity.

BEYOND THE GARMENT: TEN C

Ten c unveils “Art et Métiers”, the third chapter of its Live&Age short film trilogy celebrating the brand’s core values of longevity, authenticity and craftsmanship. The film brings together Giancarlo Busato, third-generation guardian of the historic Stamperia d’Arte Busato print workshop, and illustrator Ale Giorgini, who created an original artwork reproduced using traditional stone lithography before being printed on a limited-edition Ten c T-shirt.

The illustration shows a man in Ten c’s signature orange parka walking through a monochrome cityscape, symbolizing individuality and the courage to follow one’s own vision. Like the previous Live&Age chapters, Art et Métiers reflects the brand’s philosophy of creating garments that evolve with time rather than following fleeting trends—a concept embodied by Ten c’s iconic Original Japanese Jersey (OJJ) fabric, which develops character through wear.

MONTBLANC LEATHER COLLECTION

For Fall/Winter 2026, Montblanc introduces a new leather collection defined by ease, adaptability and refined craftsmanship. Under the artistic direction of Marco Tomasetta, the pieces explore soft constructions and a colour palette inspired by natural depth, featuring shades of ebony, bauxite, red oak and honey. Each design reflects Montblanc’s enduring connection between writing, travel and craftsmanship — a dialogue at the heart of the brand’s identity.

The collection introduces new silhouettes, including the Writing Traveler Briefcase, Crossbody and Small Crossbody, offering versatile options for every occasion. Alongside these designs, Montblanc expands its accessories with customizable bag charms such as the Cherry Blossom and Dragonfly, adding a personal touch to its timeless leather creations.

RIMOWA INTRODUCES INK BLUE

RIMOWA expands its iconic Original Collection with Ink Blue, a new permanent colour inspired by the timeless expression of ink. The deep midnight blue shade highlights the beauty of the aluminium surface through a striking metallic finish, combining contemporary elegance with the Maison’s heritage of craftsmanship.

The collection includes the Original Cabin, Check-In L and Trunk Plus, accompanied by new accessories from the Groove Collection and denim-inspired travel essentials such as Packing Cubes, a Toiletry Pouch and a reversible Bucket Hat. The launch campaign stars actress Sydney Lemmon on a mysterious journey through Shanghai, guided by ink-calligraphed letters. The Ink Blue collection is available worldwide from 9 July 2026.

 

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