While war is taking place on the western front, has Ramsden choir in Yorkshire lost most of their men to the army. Dedicated to keeping the Choir alive, they decide to recruit new young locals. Alongside the Choir member, they need a new Choir director and despite the suspicion that he is holding onto a secret, their best bet seems to be Dr. Henry Guthrie. Played by the talented Ralph Fiennes. A driven and uncompromising character, that has recently returned from a career in Germany. 

Set in 1915, The Choral takes place in the middle of the First World War. It’s old fashioned in the best ways. A charming and beautiful period piece which reminds us that music, especially during difficult times, offers not only solace, but a sense of community and profound hope. 

The backdrop of the film is particularly well made and the era is brought to life with meticulous detail. With smoke from cobblestone houses and top hats for the bold aristocrats. The aesthetics of the film is incredibly executed, and pulls you right in. Thanks to Production designer Peter Francois and Costume designer Jenny Beaven. And overall applause to the art department on this film! 

Watch in German theaters from April 9th.

The Drama is a dark romantic comedy that takes the journey of a happily engaged couple completely off the rails. Written and Directed by Kristoffer Borgli, known for his extreme characterisation of modern culture. Surreal premises and the gradual suspenseful escalations of his films, from realistic to absurd scenarios. The Drama is nothing short of that. 

Despite the absurd atmosphere of Borgli’s films, the cinematography is always beautiful, simple and grounded in reality, in contrast to the surreal action happening. This contrast makes for a unique and contradicting experience, making you doubt your initial feelings and engaging you into the story as they start doubting each other.

The humor comes from discomfort, tension and psychological irony. Following the characters go through humiliation and self-destructive behavior, makes you cringe, nervous and laugh. The Drama makes for an unforgettable date night at the cinema! 

Watch it in German theaters from 2. April. 

Colin, a directionless man comes across the mysterious and impossibly handsome biker Ray, that takes him on as his submissive. A look into the fascinating world of BDSM arrangements and an exploration of empowerment, love, intimacy and discovery. Pillion is intriguing, strange, beautiful and hot.

Based on the novel Box-Hill by Adam Mars-Jones, Harrys Lightons first feature film was awarded best debut for screenwriter by British Independent Film Awards, and rightfully so. It rides the line of a dark comedy and heart tugging drama. With moments where you don’t know whether to feel upset or laugh. 

The soundtrack of the film made a special impact with iconic music, spanning from 50s jazz and classics, to modern day dance music. It accompanies you throughout out the film, the contrasting mix of unfamiliar situations and scenes paired with familiar music makes for a great, slightly unsettling, yet endearing watching experience.

The film leaves you with questions of relationships, love, purpose and a strong need to purchase a biker jacket!

 

Pillion is out in German theatres march 26th.

The Italian President’s term is drawing to a close. But before he steps down, he must decide on a highly emotional law regarding euthanasia and finds himself confronted with two petitions for clemency. Toni Servillo, who portrays the President, was awarded Best Actor at the Venice Film Festival for this role.

His performance is defined by love, doubt, responsibility, and moral depth. The weight of the impending decisions plunges him into a profound moral dilemma, how to reconcile the reasons of state with his own conscience. Seeking guidance, he confides in his closest confidante, his daughter Dorotea.

La Grazia is an intimate exploration of the choices we make for our lives and how they affect the fates of others. Sorrentino’s signature visual language and the atmospheric soundtrack make the film a visually and emotionally stunning experience that confronts us with the existential question:

To whom do our days belong?

Opening in German theaters March 19.

The story of Ann Lee is based on the life of the founder of the Shaker religious movement. Amanda Seyfried stars as a strong-willed prophet, unswervingly following her calling to preach and spread her faith. It is a tale of resilience and profound devotion, brought to life by striking hymns and rhythmic chanting.

The Shaker hymns featured in the film are historically grounded and have been reinterpreted by Academy Award-winning composer Daniel Blumberg. They serve as a recurring motif throughout the narrative, underscoring the hardships faced by the burgeoning community.

The production captivates with impressive visuals, showcasing an aesthetic that at times evokes theatrical stage structures. The screenplay was co-written by Mona Fastvold and Brady Corbet, the creative duo behind the script for the Oscar-winning film ‘The Brutalist’.

The Movie will be released to German Cinema on the 12th of March.

The Chronology of Water is the film adaptation of the memoirs of the same name by Lidia Yuknavitch. The book tells the relentless life story of the author. Through a swimming scholarship she initially manages to move out of her family home and away from her abusive father.

After she loses this scholarship due to drug and alcohol problems however a new opportunity opens up for her. She receives the chance to write a book with author Ken Kesey who recognizes her extraordinary talent.

The film embodies the excess that runs like a common thread through Lidia’s life, painting a picture of trauma, sexuality and artistic inspiration. Despite the oppressive atmosphere that permeates the work there are recurring bright moments of hope.

With her directorial debut Kristen Stewart delivers a visually stunning arthouse movie. The scenery is powerfully captured and the dense atmosphere builds up consistently throughout the entire runtime.

The film opens in German cinemas on March 5.

The pursuit of success regularly pushes people to, or even beyond, their limits. Those limits, usually mental, often result in burnout or in the fear of not being good enough, followed by anxiety about an uncertain future. Not in Marty’s case. The only limits that shape him and his life are the limits of his credibility. How far can I manipulate others to my own advantage? What are they willing to do?

Marty Supreme by Josh Safdie explores what success is truly worth and what it really means to win. The rosy image we like to associate with success is often tied to extreme sacrifices. The same is true for Marty. He actively chooses a path defined by lies, manipulation, and the exploitation of those closest to him in order to fight his way to the top of the table tennis world. But talent alone does not seem to be enough.

The film’s comic and absurdist effect lies in the slow realization that it is not actually about table tennis. Marty Supreme does not behave like a typical sports movie. There are no training montages, no voiceovers explaining Marty’s technique no humble mentor he listens to or defiantly rejects. Instead, it follows the journey of a young man from modest circumstances who steadily works his way out of the audience’s negative perception until at some point you find yourself rooting for his victory. And that is despite the fact that he is not particularly likable.

Marty Supreme challenges almost every emotion of its audience with its unexpected turns and shows how unsatisfying the climb to the top can truly feel. Marked by loss, by lies, not only Marty’s, and by the protagonist’s overwhelming self-confidence, you may often catch yourself sitting in front of the screen shaking your head. And that is precisely what makes it compelling: a film that feels so real it draws out genuine emotion.