CELINE – READY TO WEAR 

Michael Rider presented his striking debut collection as Creative Director of CELINE, marking a powerful return to the house. “Coming back has been incredibly emotional for me. And a complete joy,” he shared. Under his vision, CELINE reasserts its core values: quality, timelessness, and style – elusive concepts, often spoken about but rarely embodied with such clarity. Rider and his team worked to translate these ideals into a wardrobe that reflects attitude as much as identity. “I’ve always loved the idea of clothing that lives on,” he says, pieces that resonate beyond a single season, becoming part of a life, a memory, a history. 

With this first collection, Rider manages to capture both the utility and the fantasy of fashion – the now, the past, and what’s still to come.

SCHIAPARELLI – BACK TO THE FUTURE

Daniel Roseberry’s latest collection for Schiaparelli blurs the boundaries between past and futurism with a haunting black-and-white palette. Inspired by Elsa Schiaparelli’s departure from Paris in 1940, the collection reimagines a world on the edge, poised between elegance and upheaval. Gone are corsets; in their place, sculptural silhouettes and surrealist trompe l’oeil textures evoke both restraint and release.

The entire show can be conceived as a surrealist trompe l’oeil, from the makeup to the fabrics, and fantasy pieces that dazzle: A reworked “Apollo” cape in black diamanté starbursts, a 3D-embroidered “Squiggles and Wiggles” dress, and the dreamlike “Eyes Wide Open” gown with iris cabochons and a silk tulle train.

“It’s too easy to romanticize the past. It’s too easy to fear the present,” say the show’s notes. This is couture that resists nostalgia, asking instead how archival memory can shape a post-technological future: One free of screens, shaped by hands, and grounded in imagination.

GEORGES HOBEIKA – THE NEW ORDER

Georges Hobeika is presenting its newest collection „The New Order“ This Bezeichnung is wegweisend in the presentation. In heavy and uncertain times we are gifted a momentum of stillness by reminding us of true craftsmanship  while Beauty agiert as a werkzeug to create and resell.

The collection is finding its roots in elegance while boldly staying true to tradition and its ambiguity between weakness and strength. While masterfully honoring Couture Fashion and adding value to it, the pieces stand out as individuals – grounded and resolute. 

After 30 years of existence the House of Georges Hobeika shows once again how true couture is desirable, timeless and never not relevant. 

RAHUL MISHRA – BECOMING LOVE

In Sufism, love grows through seven steps: attraction, infatuation, letting go, respect, devotion, obsession, and finally, the loss of self into something bigger. It starts gently and grows until there’s only stillness.This collection traces that journey. The clothes flow like lines in a love story, inspired by Gustav Klimt’s art and brought to life with traditional Indian embroidery. Rahul Mishra’s team of almost 2000 fashion workers uses age-old techniques with silk threads, pearls, beads, and sequins on fine fabrics like organza, tulle, velvet, and satin. Every piece is shaped by careful metalwork too. Each garment honors slow, skilled work and the people behind it, sharing India’s artistry with the world.

CHANEL – FALL-WINTER 25/26 HAUTE COUTURE 

With this collection, CHANEL invites us to wander through a refined pastoral dream. Staged in the Salon d’Honneur at the Grand Palais and envisioned by Willo Perron, the show recalls the quiet elegance of Gabrielle Chanel’s salons at 31 rue Cambon. Inspired by the fresh breeze of English countrysides and Scottish moors, the garments consist of reimagined winter classics through a lens of freedom and natural harmony, featuring natural shades of ecru, ivory, brown, green and black. 

Tweed is, of course, a central element: Transformed into featherlight mohair, bouclé mimicking sheepskin, and illusionary faux fur. Soft, earthy hues in ecru, green, plum, and black echo the landscape’s palette. Wheat motifs, long symbolic of abundance in Chanel’s lexicon, are woven into chiffon, buttons, and embroidery, while floral details and gilded lace nod to the sunlight breaking through grey skies.

At the end, the cold English day turns into sunlight, magnifying its reflections with jewel-buttons, embroidery, gold and silver ennobled lace and a flounced dress in orange tones lamé. This is couture rooted in nature, crafted with clarity and emotion, basically modern feminine elegance with room to breathe. 

ROBERT VAN DER KEMP – THE CALL OF THE WILD

Robert van der Kemp forms a personal homage to nature and human craftsmanship with his haut couture collection the Call of the Wild. In Collaboration with a collective of Brazilian Indigenous artisans and friend Thayná Caiçara and inspired by the lush vibrancy of the Amazon rainforest and its winged inhabitants, the collection evokes the beauty of both Earth’s flora and fashion’s flamboyant. Materials are reimagined: discarded fabrics become majestic corsets, jungle-dyed silks, sculptural plissés, and art collages stitched from feathers, beads, trinkets, and memories. Each of the 32 looks stands as a one-of-a-kind creation.  Telling stories through the act of upcycling and celebrating of real-world beauty and resilience.In an era of excess, RVDK reminds us that luxury can be ethical, rebellious, and radiant. A couture that’s transforming the discarded into the divine.

GIORGIO ARMANI PRIVÉ – NOIR SÉDUISANT

Far from being monotonous, black offers an entire spectrum of nuances and possibilities while seemingly only being one shade. Giorgio Armani has always been drawn to it, as it represents synthesis, graphic purity that transforms every silhouette into a timeless mark. In this collection, the designer captures black’s most elegant, nocturnal, and seductive side, while once again exploring the dialogue between masculine and feminine.

Introduced by fluid garments with vivid embroidered accents, black takes the runway in a series of reinterpretations of the tuxedo and tailcoat, in sculptural jackets worn on bare skin or blazers styled with a white shirt, bow tie, and slim-fit trousers. Graced by black reoccurring hats, the models do look like they came straight out of classic and elegant fashion illustrations.

ROBERT WUN – BECOMING

Robert Wun makes a powerful statement with his Fall/Winter 2025 collection, Becoming. This body of work is an ode to the quiet, often unseen ritual of getting dressed. Those delicate moments when we shift from private to public, gathering courage as each layer goes on. Inspired by the beauty of the incomplete and the almost-ready, Wun plays with unfinished edges and fluid shapes that echo the in-between space of transformation. Becoming is more than clothing; it’s an emotional narrative about how what we wear shapes who we are on life’s significant days. With masterful cuts and thoughtful storytelling stitched into every look, Robert Wun invites us to witness not just fashion, but the deeply human act of becoming something new.

VICTOR & ROLF – ANGRY BIRDS

Victor & Rolfs newest collection reinterprets the concept behind their FW98–99 show: presenting two versions of the same garment, yet never revealing the same silhouette. Each set was shown first as an exaggerated form, stuffed with colorful faux feathers, followed by its raw counterpart, leaving an aftertaste of luxury and fantasy.

The feathers, symbols of wealth and refined taste, are not mere accessories here, but architectural elements, essential in sculpting the couture silhouettes and in exploring the tension between presence and absence.

„Angry Birds“ offers us exuberant spectacle followed by its softened shadow. The show serves as a powerful reminder that quietness and exaggeration can not only coexist but also elevate each other’s beauty.

MAISON MARTIN MARGIELA – ARTISANAL COLLECTION 2025

Glenn Martens presents a deeply architectural and art-historic collection for Maison Margiela, drawing on the gothic verticality and sculptural austerity of medieval Flanders and the Netherlands. The show was held in le Centquatre, which reflects the approach of archaic times and atmosphere. Of course, also the garments took deep inspiration from Gothic structures such as towers or saintly figures of church facades and also draped fabrics that create optical illusions and elongations of the physique. 

With reinterpretations of flemish floral leather wallpapers and Dutch still life paintings as overlays, embossed fabrics or 3D collages, this narration is continued. Brushstroke-inspired trompe l’œil pieces nod to Symbolist painter Gustave Moreau, while lace and veiled drapery mimic skin and marble sculpture. As for materials, the house went to vintage leather, costume jewellery, plastic and even metal boxes, that are transformed into couture details and face coverings. The iconic Tabi boot is reborn with claw toes and wedge plastic sandals. 

Set against palatial paper collages and a deconstructed Smashing Pumpkins soundtrack, the show is a haunting, tactile reflection on art, memory, and metamorphosis.

RAMI AL ALI – GUARDIANS OF LIGHT

Marking a historic debut on the official Paris Haute Couture Week calendar, Syrian-born, UAE-based designer Rami Al Ali unveils Guardians of Light – The Living Craft of Damascus, a powerful and personal ode to heritage and artistry.

Rami Al Ali’s couture vision is steeped in the rich visual language of Damascus: Courtyards, painted ceilings, and mother-of-pearl inlay, rendered in brocade, sequin, and hand-embroidery. Drawing from the carved wood of Al-Azm Palace and the geometric harmony of Khan As’ad Pasha, Rami Al Ali reimagines the quiet grandeur of Damascus in couture form. Historic homes like Bayt Nizam and Bayt Farhi inspire silhouettes where memory becomes material: brocades gleam with embroidery, sequins echo Iznik tiles, and beading reflects mother-of-pearl inlay. Each piece is a talisman, each veil a whispered verse, an ode to heritage, elevated through the craft of couture.

This is not nostalgia, it is a reclamation of craftsmanship as living heritage and guardianship of that more so. With his debut, Al Ali assumes the role of designer and guardian, bringing Syria’s artistic soul into the haute couture conversation with quiet power and grace.

GERMANIER – LES JOUEUSES

„Les Joueuses“ is Kevin Germanier’s way of serving bold looks while playfully inviting us to forget about hard times. The garments are full of polka dots, leopard prints, stripes and certainly not lacking in color.

The show is set against a backdrop of brightly shining balloons, enhancing the celebration of play, color, and the endless possibilities of imagination. Beyond the visual satisfaction, the set once again reflects Germanier’s commitment to sustainability: the balloons were previously rejected due to flaws, feathers were recycled from past collections, and the entire set design will be reborn next season, fully upcycled into sequins.

Germanier’s latest collection marks a clear step outside of his comfort zone. It’s vibrant, full of light and joy, while true craftsmanship is evident in every piece. You can truly feel the designer’s deeply rooted desire to redefine couture — while staying true to the essence of Germanier.

Together with 7 For All Mankind at Hôtel Grand Amour, the evening of June 25 turned into a night of pure magic: an atmosphere full of warmth, joy and style, setting the perfect scene for a very special moment. 

This issue is all about FIGHT. In the end, if you want peace and if you want love, you have to be a fighter – not someone who fights others, but someone who is willing to fight themselves. Because to be a true lover, you must also be a fighter. 

The evening began with an intimate dinner shared at one long table – a menu that celebrated summer with fresh, vibrant dishes, all rounded off with a delicious Mousse au Chocolat. But what made the night unforgettable were the people, the creatives, friends, and contributors who brought this issue to life and joined us to celebrate its release. Dressed in 7 For All Mankind, DJs Chuck Black, Curls and Usman Bin Latif set the tone for the night with their sets. 

We were thrilled to welcome our cover stars Destroy Lonely, along with Aus Taylor, Maggie Maurer (featured on the 7 For All Mankind cover), Nicole Atieno, Debra Shaw, Salehe and Jacob Rott with the Elevator Boys. One of the highlights: Josh Landau playing his guitar on top of the dessert table. 

After dinner, the night flowed seamlessly into our Launch Party – with drinks from the Bookbar, dancing and an atmosphere that felt effortlessly alive. Captured through the lens of photographer Luna Jusseau, every moment glowed with that unique Parisian light. From Jim Jarmusch, André Saraiva, Diamant Blazi and Shuzo – an inspiring mix of personalities and creatives filled the room. Seeing our new issue in the hands of friends and family brought this special moment to life. A truly unforgettable evening – Numéro Berlin, in full celebration mode. 

DIOR–PEAK OF PLAYFUL ELEGANCE 

Designer Kim Jones found a way to reimagine the shapes of Christian Dior’s mid-1950s H Line and created a collection for men, being the ultimate love letter to the House’s original craftsmanship while having a modern twist that redefines masculinity on the runway. The color palette ranges from black, night blue, cream, and white to soft pink–which has been one of Dior’s chosen colors during the 50s, too.

Under the creative direction of Kim Jones, playful bows embellish the sleeves of boxy jackets, voluminous pants meet satin shirts, and masculine coats have an unusual encounter with delicate eye masks. The looks transport a strong evening vibe and remind of an endless night; one of the strongest looks is a night blue suit made from flowing fabric, embroidered with plenty of tiny beads, evoking a night sky full of stars or a dreamy rain.  

WALTER VAN BEIRENDONCK–SUPERNATURAL BEINGS ON THE RUNWAY 

Belgian fashion designer Walter Van Beirendonck introduced his new collection with the lyrical words: “In my thoughtful state I dreamt of running through sunflower fields with my Alien Friends. New life among us, here to help make sense of it all!” This sums up the looks quite well, as aliens manage to appear on the Parisian runway–the models wear silicone fingers for an extra-terrestrial vibe, and alien eyes look straight from the garments to the audience. Somehow, Van Beirendonck manages to skillfully mix up high fashion with comic symbols, neon colors, and quirky prints to create a surprising runway show that stays in the head for a while. Oversized hats and 3D-printed pieces round up the looks and add a playful, highly modern dimension to the collection.

“I consider it my duty to keep pushing what is possible in fashion. I want future generations to know that no boundaries can stop creation. Only fear can,” explains Walter Van Beirendonck his aim when creating fashion, and indeed–he was fearless this time.  

FLY WITH ISSEY MIYAKE  

The FLY WITH IM MEN show is a true ode to freedom and spontaneity. Issey Miyake’s presentation at Paris Fashion Week breaks away entirely from the stiffness of traditional runway walks. Models running with a piece of cloth held high in their hands represent the brand’s interpretation of the spirit of a free mind. A moving installation by Japanese designer and artist Tokujin Yoshioka is placed on the runway, interpreting the merge of the robotic, modern world and traditional craftsmanship.

This approach runs through the entire IM MEN collection: expansive, organic silhouettes, soft pleats, and draping define the overall look. The loose-fitting clothes made of plenty of fabric have a garment-like appearance, and a cream-colored ensemble evokes the wide, head-covering habit of a nun. Each look is on the monochromatic side, which underlines the robe-like aesthetic. Also, a new innovative fabric has its first moment ever on a runway: Ultrasuede, a fully plant-based suede developed by Toray Industries, which can be cut without fraying and makes the ideal material for large coats that should be lightweight.  

WILLY CHAVARRIA–THE DUALITY OF A MEXICAN-AMERICAN IDENTITY  

For the 10th anniversary of Willy Chavarria, the designer with Mexican-American heritage presents his new show: Tarantula. Through his fashion, he aims to uplift the underrepresented and doesn’t avoid political themes. In a time when the relationship between Mexico and the USA is super fragile and affected by prejudiced decisions, Chavarria wants to give the Brown, Black, and Queer people a voice. He combines neo-Baroque fabrics such as velvet and colors such as Opulent Gold, Baroque Blue, and Majestic Plum for his new collection. On the runway, we see rosaries, red blossoms, Mexican hats, tapered, sprawling collars, and–typical for Willy Chavarria–broad, tailored shoulder parts. Following his aim to support a global identity and represent many kinds of humans, his models bring real uniqueness to the runway.  

SELF-MADE OPULENCE AT KIDSUPER 

Layers, volume, the ultimate material mix–this is the KidSuper collection. Under the title From a Place I Have Never Been, KidSuper’s creative head Colm Dillane showcases his endless creativity: “I like walking into the unknown—going to places I have never been, trying things I have never done, and fearlessly jumping into the unknown. The outcome is always uncertain—sometimes extraordinary, sometimes a lesson—but it’s always inspiring,” he stated.

And From a Place I Have Never Been really is extraordinary. Colm Dillane loses himself in details in the best possible way. From a tie embellished with keys and buttons to fabrics with finishings you have never seen before to belts that are artworks by themselves. The combination of different smooth and suede leather pieces creates an intriguing material surface, which in turn forms a two-piece outfit. Voluminous, layered puffer jackets transport you to a distant planet. This KidSuper collection is a creative masterpiece consisting of garments that you simply can’t get enough of. 

SAINT LAURENT MAKES OVERKNEES ADMIRABLE FOR MEN 

Saint Laurent, a pioneer in timeless elegance, surprises at Paris Fashion Week with an unusual synergy: over-knee boots made of black smooth leather. When paired with the brand’s typically classic suits, they create an entirely new look, especially when the fine wool fabric of the trousers is tucked into the boots. The usual signature elements—leather jackets and coats, checked blazers, ties, and trench coats—get a fresh, modern twist. A few looks take it even further by pairing the leather boots with leather pants, creating a full-leather look downwards from the waist. Among nuances of brown and greys, hints of salmon, warm yellow, and terracotta peek out from under the blazers. With this new collection, Saint Laurent definitely shows that while they continue to embody elegance in classic, tailored cuts, they are also open to unexpected combinations. 

SONGZIO BRINGS THE PICCADILL INTO THE PRESENT 

A piccadill is a historic collar from the 17th century that rises high on the neck, made from linen lace and a stiff layer to support it. It accentuates the face and was particularly worn by the noble people. A modern interpretation of this collar is now the signature piece of Songzio‘s Fall/Winter 2025 collection Piccadill. At Songzio, the piccadill meets glossy leather and structured wintry fabrics. It encounters breeches that end below the knee and are voluptuously shaped, inspired by the trousers worn centuries ago. Still, Songzio has not merely created a collection, that’s just inspired by the past. The use of contemporary materials and the thoughtful development of elements combining the now and the past–for example, handcuffs reviving the collar’s shape–give this collection an avant-garde spirit. 

SACAI GETS WILD  

Sacai’s designer Chitose Abe glimpses into the wilderness for the collection Where The Wild Things Are. She uses heavy knitted as well as outdoor fabrics to create a modern, functional look for the colder seasons. Large pockets, puffer jackets, furry boots, and a strong focus on maximization go hand in hand with the collection’s title. A collaboration with workwear giant Carhartt WIP also originated clothes that complete the runway looks. Besides utility wear, Chitose Abe shows her ability to layer in a complex way: By folding, wrapping, and deconstructing some layers, she creates oversized looks and asymmetrical silhouettes. She doesn’t even stop at a blazer’s peak lapel—the inside of the double-layered collar is boldly presented to the audience of the fashion show. A little wild, indeed. 

COMME DES GARÇONS TAKES A STEP INTO A FANTASY WORLD  

At Comme des Garçons, viewers are regularly transported into a new little world—and this time is no different. For Paris Fashion Week, the brand presents a collection that feels like a journey into nature while simultaneously evoking modern, effortless street style. Moss-green, deconstructed two-piece suits made from delicate natural fabrics are paired with asymmetrical shirts and skirts, and hints of orange, bright red, and deep purple pop off in the looks.  

In this show, the eye first lingers on the detailed, layered outfits but soon shifts to the models’ heads, where floral-embellished hats and artfully draped turbans made of glossy satin or matte, airy fabrics take center stage. Finally, attention turns to the shoes–and they truly come from another world. Chunky boots with pronounced rubber soles curve upward at the front, making the sole visible from the front. This Comme des Garçons collection is a delight for anyone looking to challenge their visual habits. 

JUNYA WATANABE’S MEN PROUDLY GO BACK TO THE BASICS 

Besides all the extravagant shapes, never-before-seen fabrics, and boldly styled looks, menswear classics often fade into the background. But not at Junya Watanabe. Here, all the staples of casual menswear come together: plaid flannel jackets, straight-leg jeans, striped button-down shirts, leather jackets, and the occasional tie. Men’s all-time favorites for everyday wear may not seem groundbreaking on the runway, but they represent reality. And at Junya Watanabe, these classics still manage to captivate the audience—mainly because of the models, who showcase a broad spectrum of what “men” can be. Every single look from the current show could have been lifted straight off the streets, making this presentation stand out in the world of fashion shows that need to stand out with ever more extreme innovations. This collection brings together laid-back street style, classic lumberjack aesthetics, and smart casual looks—all presented in a way that feels strikingly authentic. 

Building upon previous seasons that examined the sport’s working-class roots and resisted its neoliberal commodification, this latest collection intensifies the focus on the tribalism inherent in football’s fan communities. Prototypes highlights the deep-seated devotion and collective identity that come with allegiance to a “firm,” or fan group, emphasizing a shared aesthetic that values strength in numbers over individualism.

Prototypes’ commitment to artisanal techniques is evident in the distinctive construction of their garments. Pinned silhouettes and garments shaped directly on the body speak to a bespoke, hands-on method, while spray-painted graphics replace standardized screen prints, reinforcing a do-it-yourself ethos. This artisanal approach not only reflects the collective’s values but also challenges conventional fashion production methods.

A unifying thread throughout Series07 is the exploration and manipulation of silhouettes. Prototypes examines how altering shapes can serve various aesthetic needs and attitudes, ranging from constriction as a form of oppression, to kink, to comfort. This nuanced exploration allows for a rich interpretation of how clothing can convey complex themes and emotions. Through artisanal craftsmanship and innovative design, the collection underscores a devotion to shared values and the power of the collective over the individual.

Designer Walter Van Beirendonck presented his Spring-Summer 2025 collection at Paris Fashion Week, featuring a collaborative capsule with G-STAR. Held in the botanical garden of the Faculté de Pharmacie de Paris, the show highlighted innovative denim experiments. The unisex capsule, titled ‘Denim with Balls,’ will be available in selected stores worldwide in February 2025.

Van Beirendonck combined his craftsmanship with G-STAR’s denim expertise to create a 19-piece collection using minimal stitching, gluing, and taping methods. Key pieces include the Square Jeans, Wader Jeans, Embossed Pamflet Jeans, and Future Proof Jacket, all made with Cradle to Cradle fabric. The collection also features 3D-knitted tops and sweaters with slogans like ‘Future Proof’ and ‘Stitch Less.’

The G-STAR x Walter Van Beirendonck capsule will be released in February 2025.

This exhibit will be displayed at Palazzo Citterio running until 14th of July. Curated by Creative Director Giovanna Engelbert and British fashion journalist and critic Alexander Fury, the exhibition highlights the nearly 130-year legacy of the Austrian crystal company and its impact on fashion, jewelry, and pop culture.

After debuting in Shanghai last autumn, “Swarovski – Masters of Light” is now being showcased in the historic salons of Palazzo Citterio, an impressive extension of the Pinacoteca di Brera in central Milan. This cultural collaboration with one of the city’s premier museums allows the public to view the newly renovated palazzo for the first time. The exhibition offers a journey through Swarovski’s history, from its founding in 1895 to today, bringing to life the tradition and innovative spirit of one of Europe’s oldest luxury brands. The Swarovski – Masters of Light exhibition in Milan showcases crystal-encrusted fashion creations by designers like Balenciaga, Dior, Gucci, Schiaparelli, Versace, and Armani.

Alexis Nasard, CEO of Swarovski, and Creative Director Giovanna Engelbert expressed their excitement about presenting the exhibition in Milan, a global fashion hub. The partnership with the Pinacoteca di Brera at Palazzo Citterio provides a unique setting to showcase Swarovski’s craftsmanship and heritage.

The exhibition spans seven thematic areas, from Swarovski’s origins in 19th-century Austria to modern-day Milan, including a chronology of the brand, a showcase of statement jewelry, the first lab-grown diamond collection, and collaborations with music and film. The special Mathemagical section highlights Swarovski’s craftsmanship and includes couture looks designed by Giovanna Engelbert for the Metropolitan Museum of Art Costume Institute Gala. Including over 50 crystal-adorned outfits from brands like Prada, Miu Miu, Fendi Couture, Gucci, Atelier Versace, Armani Privé, Alexander McQueen, Louis Vuitton, Thierry Mugler Couture, and Vivienne Westwood, as well as historical pieces like a unique 1895 creation by House of Worth.