Berlin – Numéro Berlin https://www.numeroberlin.de Thu, 22 Oct 2026 14:30:59 +0000 en-US hourly 1 EDITORIAL https://www.numeroberlin.de/2026/10/editorial/ Thu, 22 Oct 2026 15:30:00 +0000 https://www.numeroberlin.de/?p=76621

 

 

Built to Belong navigates the questions that inevitably arise through the process of creating: why we make things, where that instinct comes from and how we find a space for ourselves within it. With the collection, designer and stylist Elisabeth Kiko explores the idea of building your own belonging rather than necessarily finding somewhere you already belong. Approaching clothing as a form of emotional architecture, Kiko translates the space between intimacy and exposure, body and surroundings, into her own distinct design language.

Unexpected proportions, contrasting textures and a considered use of colour create a playful tension between elegance and structure, balancing architectural precision with softer, more intuitive forms. Rooted in architecture, personal memories and a visual language developed over time, the garments become an expression of both protection and individuality.

Presented in July 2026 during Berlin Fashion Week, Built to Belong extended into a live performance and spatial installation, inviting people to enter and explore the world created through the collection. Visible through the windows like a moving display, the performance brought garments, bodies and architecture into conversation. Sculptural set elements, moving reflections and a soundscape unfolding through different emotional states created an experience in which individual elements gradually became something shared. Ultimately, Built to Belong is a personal homage to the act of creating it self to the intimacy and trust involved in putting something into the world, and the physical and emotional spaces we build along the way.

 

 

Photography Johanna Kirsch

Concept Elisabeth Kiko

Styling Elisabeth Kiko

Hair Henriette Auge using Björn Axén

Makeup Mariya Madzharova using Anastasia Beverly Hills

Production Salimata Lucie Siegel

Set Design Julia Hartmeyer

Object Design Julia Hartmeyer & Elisabeth Kiko

Artworks Veronika Janovec

Sound Design Ben Wegert

Scent Design Equality Fragrance

Set Design Assistant Melanie Mühlbauer & Studio Alibi

Photography Assistant Dominik Ehrengruber

Styling Assistant Charlotte Assmann

Casting Director Elisabeth Kiko

Models Miriam Bender & Paulina Blum & Lillebritt Hopp & Camille

Jackson & Joy Livia & Paola Ming & Paula Pietrini & Sibi Schwenk & Salimata Lucie Siegel

Drinks Thomas Henry

Production Team Leonie Grahlke & Jana Steinhauer & Sanja Philipp & Ida Fork & Raphael Balzer

 

All Looks Elisabeth Kiko

Jewelry Ayede

Shoes Aeyde & Mango

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ON OUR RADAR https://www.numeroberlin.de/2026/10/on-our-radar-154/ Thu, 15 Oct 2026 11:54:45 +0000 https://www.numeroberlin.de/?p=76098 Numéro Berlin’s weekly collection of the most exciting news about fashion, music, and simply everything that is on our radar. And here is why it should be on yours as well!

ACE & TATE THROUGH GOLDEN AUTUMN

Summer might be over, but there’s still such a thing as Golden October. Dutch eyewear brand Ace & Tate introduces four new frames to keep you looking stylish in the fleeting autumn sunshine. Meet Carmen, defined by a minimalist design, flowing lines and curved temple tips, alongside the slightly bolder Salome, featuring round, oversized lenses and a fluid, directional silhouette. For men, there’s Henry, a timeless take on the classic panto shape, or Ronnie, a 70s-inspired statement frame that brings a touch of retro flair. Whether you prefer understated elegance or a bolder look, these four frames are made for those golden autumn days.

HANRO: SOFT MOTION 

The premium lingerie and nightwear brand HANRO introduces their Fall/Winter 2026 collection: With Soft Motion, the brand explores the intimate connection between body, movement, and fabric. Inspired by the expressive language of dance, flowing silhouettes and luxurious materials such as cashmere, wool, and silk merge comfort with understated elegance. Introducing its men’s and women’s lines, Soft Motion goes beyond fashion to offer a sensory experience that celebrates freedom, softness, and the beauty of movement.

The collection was celebrated with an exclusive dinner at Clärchen´s Ballhaus.

JOY IS A POWER MOVE

GANNI and lululemon join forces for a collaboration inspired by the joy of movement. Launching today, the collection merges lululemon’s technical innovation with GANNI’s unmistakable Copenhagen spirit, bringing together dance-inspired design, performance, and style in a playful celebration of self-expression.

Starring Jennifer Beals and METTE, the “JOY IS A POWER MOVE” campaign celebrates movement as a powerful form of self-expression, embracing the freedom, confidence, and joy that come with it.

END. X SAMSØE SAMSØE

END. and Copenhagen-based Samsøe Samsøe join forces for an exclusive 24-piece collection blending Scandinavian minimalism with contemporary British streetwear, reworking classic silhouettes through a refined palette of dark neutrals, olive and plum. Built around the idea of a shared wardrobe, the collaboration brings together menswear and unisex staples, from knitwear and denim to leather and tailoring. This collection celebrates each brands´ individuality whilst exchanging two distinct design perspectives.

UGG® INTRODUCES: LOAFERS BY JW ANDERSON

UGG® and JW Anderson team up for their first collaboration, reimagining the brand’s iconic Classic Boot and Tasman through a loafer-inspired lens that merges signature comfort with unexpected proportions, rounded toes and box-stitching. Fronted by musician and producer Dev Hynes (Blood Orange), the campaign explores the beauty of everyday rituals, blurring the line between the ordinary and the extraordinary through a playful take on familiar silhouettes.

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ON OUR RADAR https://www.numeroberlin.de/2026/10/on-our-radar-153/ Thu, 08 Oct 2026 11:15:52 +0000 https://www.numeroberlin.de/?p=75906 Numéro Berlin’s weekly collection of the most exciting news about fashion, music, and simply everything that is on our radar. And here is why it should be on yours as well!

ZENDAYA X ON: A CINEMATIC COLLABORATION

Announcing a new chapter in their collaboration, Hollywood star Zendaya and Swiss premium sportswear brand On have just launched their second co-created collection.

The looks were created with Law Roach, Zendaya’s longtime creative partner and stylist. The result is a collection designed for all-day comfort, combining On’s performance expertise with the distinctive style of Zendaya and Law Roach. Oversized crewnecks and sweatpants feature ruching and bungee-cord details that allow for a versatile range of shapes and silhouettes. A custom-developed python print adds statement accents to a bodysuit, fitted long-sleeve top and half-zip anorak.

“Cinematic storytelling has been a central part of our partnership with Zendaya from the very beginning,” says Alex Griffin, Chief Marketing Officer at On. The collection is brought to life in an immersive campaign film inspired by the visual language and dynamism of classic action films.

NEW INTERIOR STUDIO: ARWENN 

Berlin gains a new interior design studio: ARWENN opens its doors on 16 October to all curious design enthusiasts. The pieces stand out through their intelligent and distinctive design. Crafted from timeless, durable materials, with a minimised volume and carbon footprint when it comes to packaging, ARWENN perfectly meets the expectations of today’s conscious consumers.

Their products offer lasting value and sustainable appeal without losing any of their aesthetic appeal, as manifested in pieces such as the Moon Lamp or the Turn Chair.

The store opening will take place on Friday, 16 October, from 6pm onwards at Friedrichstraße 172, Berlin.

OUTSIDE LINGERIE

Lingerie is stepping out from underneath it all. From Prada and Miu Miu to Fashion Week street style, lace, bralettes and bodysuits are becoming part of the look – paired with tailoring, denim and everyday staples.

Aubade embraces the trend with its FW26 collection Vertige, blurring the line between lingerie and ready-to-wear. Sheer lace, Lurex details and corset-inspired silhouettes are designed to be seen, from lace bodysuits under blazers to slip dresses styled with boots and coats. Feminine, effortless and made to leave the bedroom behind.

ZODIAQUE 

The female-led lingerie brand has expanded its knitwear line with two new designs: the Hestia V Neck, featuring a generous V-shaped neckline, a defined waist and loose, soft sleeves; and the Triangle Wrap, a versatile scarf crafted from a soft wool-cashmere blend that lends itself to multiple styling options.

Both designs reflect the brand’s core principle of creating elevated loungewear that doesn’t look like traditional loungewear, yet can effortlessly transition from a relaxed look at home to an elegant evening outfit.

BOSS BY BECKHAM: REIMAGINING THE BRITISH WINTER WARDROBE

BOSS invited us for an intimate lunch with David Beckham for the launch of his fall collection, a collaboration between BOSS and the legendary former footballer and style icon. The collection reflects what Beckham calls “his perfect wardrobe”, he was in conversation with Daniel Kearns, his creative collaborator, who will join the team of BOSS x David Beckham. They shared a beautiful moment on the future of their collaboration and creative thinking and where they find their inspiration together as a team. Many of the looks draw on Beckham’s fashion heritage, revisiting some of his most iconic silhouettes, now reinterpreted in contemporary fabrics. As Beckham explains: “It’s about referencing how I naturally dress, whether I’m in London or in the countryside, and bringing those influences into BOSS BY BECKHAM.” 

For the launch event, Beckham embodied the collection in a full look, pairing a dark brown leather jacket with an olive green wool/cashmere hoodie and black leather trainers, a modern take on the understated British wardrobe that lies at the heart of this collaboration.

MYKITA AT PARIS FASHION WEEK

MYKITA continues to make its mark on the fashion calendar, with two collaborations presented during Paris Fashion Week. The Berlin-based eyewear brand joined forces with Vaquera for the label’s Spring/Summer 2027 runway show, transforming two classic American eyewear archetypes through exaggerated proportions and unexpected constructions. MYKITA’s precise engineering meets Vaquera’s experimental design language, resulting in the elongated aviator and amplified cat-eye silhouettes.

Also presented during Paris Fashion Week, MYKITA’s ongoing collaboration with Berlin-based fashion and media brand 032c enters its latest chapter with BRANDLEY, created for the 032c Mode STABLE collection. Inspired by the movement and precision of equestrian sport, the streamlined MYLON® design translates riding codes into a lightweight, technical silhouette. Together, the two collaborations highlight MYKITA’s continued dialogue with fashion and its ability to combine innovative eyewear construction with distinct creative perspectives.

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IN CONVERSATION WITH ARNAUD FRISCH https://www.numeroberlin.de/2026/10/in-conversation-with-arnaud-frisch/ Fri, 02 Oct 2026 16:33:44 +0000 https://www.numeroberlin.de/?p=75608 ARNAUD FRISCH BRINGS PARIS’ SILENCIO CLUB TO BERLIN

 

 

 

Fifteen years ago, Silencio opened its doors in Paris and quickly became a landmark for the city’s creative community. Its founder is French entrepreneur Arnaud Frisch. To mark its 15th anniversary, Silencio is bringing its concept to Berlin with a temporary pop-up in the former Watergate space. Opening on 30 October 2026, Silencio Berlin will bring together music, art, cinema and design while connecting with the city’s creative scene. Following the opening party, our Deputy Editor in Chief Antonia Maria Schmidt sat down with Frisch to talk about Berlin nightlife, the idea behind the new space, his long-standing friendship with Mumi Haiati and the evolution of Silencio over the past 15 years.

 

 

 

 

MILENA ZARA

 

 

Antonia Schmidt: You’ve already done several pop-ups in other cities. Why now Berlin?

Arnaud Frisch: In Berlin, club culture has historically functioned as a cultural form in its own right, bringing together music, performance, visual culture and communities in an organic way. In that sense, Berlin feels very close to something that has always been central to Silencio.

 

AS: Nightlife as well.

AF: Berlin is the model. This city has inspired the rest of the world. I have great admiration for the clubs here, the ones still running and the ones that are gone, and not only for the music. What Berlin built is a place where individual freedom is taken seriously, where people are protected and where everyone is allowed to be whoever they are for a night.

 

AS: Watergate specifically is a great location.

AF: Watergate is a landmark, and taking over a room with that history is intimidating. It drew its own path to the city with that window onto the Spree. Anyone who has watched the sun come up over the water from the lower floor knows it. Its closing was a real loss for Berlin. What mattered to us was that it stays a club rather than becoming offices.

 

 

 

 

 

 

AS: Can you tell me a bit about the program already?

AF: Cultural programming is the centre of the project. In Paris, beyond the club nights, we run carte blanche invitations, art performances, concerts, installations and talks. The first Berlin night already gave a sense of it: a performance by Valentina Magaletti, DJ sets from Richie Hawtin and Ben Klock, and a limited-edition military tag by Maurizio Cattelan given to everyone who came.

AS: Berlin has this quality, where all these different scenes are already so connected to each other. The music scene overlaps with the fashion scene, the film scene… A lot of people are already in exchange with each other.

AF: In Paris the scenes overlap, but they’re vertical. Everything passes through institutions, and each world has its own gatekeepers. Berlin is horizontal. People collaborate before anyone has given them permission, and that changes what a night can be.

AS: Tell me a bit about your relationship with Mumi, the founder of Reference Studios who is now supporting you with the pop up.

AF: It happened naturally. Mumi came to our first Fashion Week at Silencio. His agency was new then and was doing things nobody else was doing: connecting fashion with art, hospitality, and other fields. That was very close to how we were already working. We kept crossing paths around the world, and it grew from there.

 

INTERVIEW & WORDS BY ANTONIA SCHMIDT
MAX HEEB
JOSEPH KADOW
JOSEPH KADOW
MILENA ZARA

 

AS: I’m curious, how do you see Berlin nightlife?

 

AF: What Berlin has is unique, and it’s now official: the city’s Technokultur has been recognised as intangible cultural heritage. And it comes with things no other city can offer, spaces you simply don’t find elsewhere and a freedom that has no equivalent anywhere in the world. That’s also why we’ve spent years bringing Berlin to Paris rather than the other way around. At our Parisian club FVTVR we regularly host Berlin collectives and clubs: BCCO, Pornceptual, Primal Instinct, Multisex, RSO…

AS: You’ve spent so much time in Paris and now you’ll be spending more time in Berlin. What feels different between the two cities?

 

AF: Berlin is much bigger than Paris, with parks and green space everywhere, and you feel it immediately. Paris is a finished city, in the sense that it was built long ago and nothing is left over. You work inside what already exists.

AS: You collaborated with Studio Karhard for the club.

 

AF: Studio Karhard made this project possible. Thomas Karsten knows this city and everything that opening a club here involves. Marc Leschelier’s work is fascinating: brutalist, sometimes uncomfortable and very poetic. Then Studio Raito did the lighting.

 

 

AS: The lighting was great. I told my friend at the opening party, the lighting is really, really good.

AF: Lighting can transform a room completely. Studio Raito doesn’t light a space the way a club is usually lit, from above and onto the crowd. They treat light as material: they place sources within the architecture, work with reflection and shadow as much as with brightness, and let the fixtures themselves be visible objects rather than hidden equipment. The result reads closer to an installation than to a lighting rig.

AS: Tell me about the objects in the club, particularly the big installation on the terrace?

AF: Marc Leschelier’s work draws on an abstract architectural vocabulary, using materials associated with construction and heavy industry while often leaving their function deliberately unclear. On the floating pontoon, this pavilion is draped in a cement-impregnated textile more commonly used in heavy infrastructure, which hardens through contact with water.

AS: What is it that makes a good club?

AF: There are a lot of great clubs, and there’s no single formula, which is the good news. What Berlin taught me is the value of time: giving people long enough to actually experience several artists.

AS: How you curate?

AF: Well, a club is very much about curation. The way you design the space, the artists you bring in, the music, the installations. It all shapes the experience. But at the end, the most important thing is to bring people together around artists and ideas to create a community. This is also a curation.

INTERVIEW & WORDS BY ANTONIA SCHMIDT
JOSEPH KADOW
JOSEPH KADOW
JOSEPH KADOW
JOSEPH KADOW
JOSEPH KADOW
JOSEPH KADOW
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TO WATCH “CORPUS DELICTI” BY LENA STAHL https://www.numeroberlin.de/2026/09/to-watch-corpus-delicti-by-lena-stahl/ Wed, 30 Sep 2026 13:53:38 +0000 https://www.numeroberlin.de/?p=75104
A WORLD TOO CLOSE TO HOME

Santé, and welcome to a world that doesn’t feel too far removed from today’s reality. A world in which all illness has been eradicated, sanitized, organized and most importantly: safe. Or at least that’s what it promises to be. Where your health is your most important concern. An order, imposed by the state you live in. And welcome to the life of Mia Holl (Hannah Herzsprung), a neuroscientist in the system, thankful for the order in her life and her artificial home assistant who asks about her day and plays her favorite music. A bodiless voice, comparable to certain virtual assistants already present in some people’s homes. It already sets the tone of the film. Current, threatening and omnipresent.

A society where everything is based on the “Method”: laws, security, privacy. Even the central dating agency run by the government, based on genetic matches, might seem tempting in a world of failing dating apps. You might even catch yourself weighing the opportunity, only to be scared by your own thought a second later. Surveillance of your every move, and even if it sounds dystopian to us now, the film makes it look almost temptingly harmonious. At least for the first 15 minutes.

Then we get introduced to Mia’s brother, Moritz Holl (Damian Hardung), a free spirit, living by his own rules, rejecting the grip of the “Method” on their lives. You remember, yes, that’s an actual human, we were brainwashed for a second, with all the smooth-running interaction, trains on time and all illnesses eradicated, it seemed too perfect to be true. Because it wasn’t. But then Moritz gets arrested for the crime of rape and murder, which he insists are not true. And yet his DNA matches 100% with the DNA found on the victim.

 

 

Mia, and with her the viewers, are caught in the middle: on the one hand, she believes in the “Method”, after all, science has declared it infallible; on the other hand, she wants to believe her brother’s words. So she starts questioning the “Method”, something that shakes the foundation of this very society. As she is labelled an “Antimethodist”, not only does her social environment turn against her, her colleagues, her neighbors, society as a whole, but she also gets arrested as a terrorist, a revolutionary without ever wanting to be one, because those who think differently have no place in society.

The film, made by Lena Stahl and based on the play written in 2007 and later developed into a novel by Juli Zeh, is one of Germany’s best-known contemporary dystopian novels. In 2007 she wrote about a dystopian future not too far away, only 50 years away, and looking at it today, in 2026, she might not have been too far from it coming true. The film makes its currency even clearer.

The sets look real, probably because most of it was shot in existing locations that just happen to have a futuristic look to them, the soundtrack by Volker Bertelmann and Lennart Saathoff is minimal but emphasizes the atmosphere throughout the film, from the structured order in the beginning to the gentle moments between siblings to the confusion and anger of the protagonist.

 

 

Hannah Herzsprung delivers a convincing, more action-driven character than in the novel, fitting the atmosphere of the film and making the viewer feel with her on her quest to find answers. Damian Hardung makes Moritz feel like a brother we can relate to, while still leaving us to question his trustworthiness in some moments. His character gets a lot more time with our protagonist than in the novel, which enriches the relationship and emotional turmoil of Mia. Haley Louise Jones as a torn colleague turned friend of Mia makes you think of yourself in her position, making the viewer plead with Mia for her help and trust. Christian Friedel as the government-appointed lawyer for Moritz and later on also Mia adds another layer of people working for the government who are fed up with the “Method” but still work within its system, and Alexander Fehling as a journalist, who preaches that he wants to explore the truth and give Mia a voice, yet the audience can never be too certain of his real agenda, intentions and trustworthiness.

The dystopian genre in films was at its height during the early 2010s, yet over the last few years, there have been almost no new ones coming out, possibly to do with the almost dystopian society we experienced during the COVID-19 pandemic in the early 2020s. Now, AI is developing rapidly and is being used so extensively by everyone around us that it appears impossible to escape its spell, “Corpus Delicti” shows a reality that seems closer to what today’s reality looks like than any Hunger Games film we’ve seen so far. “Corpus Delicti” scares us with how real and possible its plot appears, while also leaving the viewer with little closure and plenty of food for thought. “Corpus Delicti” is out in cinemas all over Germany starting October 1st.

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ON OUR RADAR https://www.numeroberlin.de/2026/09/on-our-radar-151/ Thu, 24 Sep 2026 10:08:20 +0000 https://www.numeroberlin.de/?p=74580
Numéro Berlin’s weekly collection of the most exciting news about fashion, music, and simply everything that is on our radar. And here is why it should be on yours as well!

LA WATCH PARTY BERLIN: GUCCI SS27

For the first time, La WATCH PARTY is coming to Berlin, bringing Gucci’s SS27 runway show to the Route 66 Diner tomorrow, September 25. Launched by Lyas, the concept allows to experience a fashion show live and as a shared event, La Watch Party’s mission is to democratise the fashion world by making runway shows accessible for everyone.
Hosted in Berlin by our cover star Ivana Vladislava and INDIE, the afternoon will feature a live screening of the Gucci show alongside DJ sets by Porsche Lane and Nyennea. The event starts at 1 PM, with the Gucci show screening at 2 PM. Entry is free and open to all.

GUCCI EYEWEAR FALL/WINTER 2026 COLLECTION

For Fall/Winter 2026, Gucci explores a quieter side of eyewear, with portraits capturing its protagonists in reflective, everyday moments. The collection moves between black acetate frames, round metal glasses and rectangular sunglasses, with details such as the Horsebit and Double G referencing the House’s signature codes. The Gucci Eyewear collection is available since September.

DR. MARTENS X RICK OWENS: NEW SILHOUETTES, FAMILIAR CODES

Dr. Martens and Rick Owens continue their long-running collaboration with a new set of silhouettes. This season introduces a pull-on boot and the Megalace mule, alongside the return of the sold-out Steel Toe boot from last year. All three styles sit on Dr. Martens’ oversized Quad sole and come in black, waxy Republic leather. The collection launched on September 18.

G-STAR X TOMBOGO: THE DENIM 004
For the fourth edition of G-STAR’s THE DENIM series, Los Angeles-based studio TOMBOGO turns the idea of straps, buckles and utility systems into denim. The result is a highly constructed pair with layered panels, concealed pockets and oversized metal hardware.
THE DENIM 004 brings together TOMBOGO’s technical, experimental approach and G-STAR’s longstanding focus on utility. The limited-edition jeans are available worldwide from September 2026.

MARELLA X CORA CORRÉ
For Fall/Winter 2026, Marella teams up with British model and fashion figure Cora Corré for a capsule collection shaped by her British heritage. Classic tailoring meets a lighter, more contemporary approach, with the wardrobe moving between black, white, chocolate brown and navy, punctuated by bold red. The collection launched worldwide on September 19 and is available through Marella stores and online.

THE NORTH FACE X AIMÉ LEON DORE
The North Face and Aimé Leon Dore return for a second collaboration for Fall/Winter 2026. The capsule collection brings together The North Face’s outdoor expertise with Aimé Leon Dore’s New York aesthetic, reworking familiar styles from the brand’s archive.
The collection includes updated versions of the Mountain Jacket, Nuptse and Denali, alongside technical pieces in GORE-TEX, fleece and Pertex, as well as footwear and accessories. The collection launched on September 17.

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ON OUR RADAR https://www.numeroberlin.de/2026/09/on-our-radar-150/ Thu, 17 Sep 2026 08:55:35 +0000 https://www.numeroberlin.de/?p=73932
Numéro Berlin’s weekly collection of the most exciting news about fashion, music, and simply everything that is on our radar. And here is why it should be on yours as well!

PLATTE OPENING

On September 11, PLATTE.Berlin marked its fifth anniversary with an evening dedicated to three different facets of Berlin’s contemporary creative scene. The celebration brought together fashion label Haderlump, photographer Sven Marquardt, and Berlin-based artist, DJ and producer Luca Eck.

As part of Berlin Art Week’s collective Featured Night, the event reflected the creative spirit that has defined PLATTE over the past five years. Fashion, art, music and community came together for an evening highlighting the diverse perspectives that continue to shape Berlin’s cultural landscape.

A RUNNER’S BEST FRIEND: NIKE’S ALPHAFLY 4

Nike has just unveiled the lightest, most responsive Alphafly yet. Built for marathoners chasing long distances and personal bests, the Alphafly 4 refines every component of its predecessors to deliver a smoother, more efficient race-day experience. It returns 10% more of a runner’s energy, pairs an Atomknit upper with ZoomX LT foam, and features an updated Air Zoom unit. Available in stores and online from today.

LARDINI AUTUMN-WINTER 2026/27

For Autumn-Winter 2026/27, Lardini goes back to its roots. Le Origini brings the brand’s longstanding focus on Italian craftsmanship into a more contemporary context, balancing traditional tailoring with modern functionality and technical details. Soft, tactile fabrics—from brushed wool and cashmere to velvet and fine silk—give the collection a sense of warmth and depth.

Tailored coats, knitwear and outerwear are kept clean and understated, with relaxed volumes and subtle details taking centre stage. Rather than reinventing itself completely, Lardini builds on what it already knows, showing how tradition can evolve without losing its character.

THE BEAUTY OF BALLROOM – FILM PREMIERE & LIVE PERFORMANCE

THE BEAUTY OF BALLROOM explores a young yet remarkably vibrant, bold, and diverse Ballroom scene in Southeast Asia. At its heart are three protagonists who come from very different walks of life, yet are united by a shared passion: Voguing as a powerful means of self-expression.

The premiere will take place on Monday, September 24. A special cinema screening will be held on September 21 in Kino International in Berlin, featuring a live dance performance by protagonist Aurora Sun Labeija, Legendary Mother Leo Saint Laurent, Black Pearl 007 and Gwapo Laveaux. Additional screenings can be found here.

CARHARTT WIP FALL/WINTER 2026

For Fall/Winter 2026, Carhartt WIP takes a look at chaos from the other end. Directed by French-Canadian filmmaker and photographer Alex Acy, the campaign unfolds in reverse, turning everyday scenes into a sequence of events that seem to undo themselves.

Three friends, a dog, a car, a couch and a few cans of paint become part of the story, while violet splashes and stains run through the film and its imagery. Set against the collection’s deep burgundy, green and navy tones, the campaign plays with the idea of time, repetition and cause and effect. The result is surreal, slightly chaotic and deliberately offbeat.

AN ITALIAN AUTUMN

This autumn, ARKET looks to Milan for inspiration. In Brera, effortless Italian elegance meets a relaxed heritage aesthetic, with lightweight coats, checked car coats and peacoats styled with straight-leg denim and polished loafers.

The palette stays between beige, brown and navy, with accents of bright red and fresh cotton blue. A navy suit, a knotted shirt collar or ARKET’s black-and-white striped Gondolieri Shirt add the subtle details that make the look distinctly Italian. More from the collection can be seen here.

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