Essay – Numéro Berlin https://www.numeroberlin.de Fri, 12 Sep 2025 15:24:38 +0000 en-US hourly 1 AN OPINION ON NOTHING’S HEADPHONE (1) https://www.numeroberlin.de/2025/09/an-opinion-on-nothings-headphone-1/ Fri, 12 Sep 2025 13:25:19 +0000 https://www.numeroberlin.de/?p=63606 Nothing comes close to the perfect pair of over-ear headphones (pun intended)

… well, at least regarding the headphone’s design. The Headphone (1), as they are called, are both bold and beautiful to look at. Reminiscent of cassette-tapes from the 80s, the Headphone (1) feature a striking, transparent design that is unmistakable Nothing. But… what makes something Nothing?

 

Nothing is a British consumer electronics brand based in London. It was founded in 2020 by Carl Pei, the co-founder of the well-known smartphone manufacturer OnePlus. Nothing’s philosophy is to develop products that combine simplicity, transparency, and distinctive design at an affordable price. And so far in their young company history, it’s widely acknowledged they have been successful with their approach. In a field often called out for its lacking user-feedback integration, Nothing sets out to provide user-first experiences. Whether that be through smartphones, smart-watches or headphones – they stick close to their community’s wishes and listen to feedback.

Amidst the rapid, ever-changing tech-industry, Nothing manages to stay true to its core principles. With the Headphone (1), they challenge their iconic design-language in innovative ways while adhering to their heritage’s inspiration, Teenage Engineering. Handled by some as the design-first tech-company of the 21st century, their timeless, industrial inspired design calls back to the 1980s. Beautiful, functional and intuitive. – Just like Nothing’s products. Teenage Engineering isn’t the only brand that influenced the design of Headphone (1) though. Global Design Director at Nothing, Adam Bates, worked many years as Head of Design at Dyson. The company mainly known for their vacuums gained a lot of recognition for their beautiful and durable industrial design. Adam Bates made it his mission to continue developing appealing, functional products when he joined Nothing in 2022. And appealing and functional products he developed!

Back to the Headphone (1): Of course, design isn’t everything, but even when focusing solely on the features and specs, the company’s first entry into the over-ear headphone market doesn’t disappoint in the slightest. They feature an ambitious sound profile, developed in cooperation with British speaker manufacturer KEF. Even though the quality is by no means perfect, it fits the expectations coming from a 300€ pair of over-ear noise-canceling headphones. And the added bonus of an integrated equalizer in the dedicated app makes for a flawless adjustment of the sound, whenever needed. As a cherry on top, the Headphone (1) feature a broad pallet of quality-of-life features, like intuitive button-controls on the outside, a transparency mode and support for spatial audio.

Considering the style-factor of the headphones, Nothing managed to create a package, worthy of competing with the best of the best in the high-end over-ear headphone market. But really, the main selling point of the Headphone (1) is their design…– We are excited to see what is next for Nothing‘s headphones. The industry needs more innovative companies, that challenge the given and question the status quo. When happening in terms of product-design, even better!

 

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Numéro Berlin Travel Review https://www.numeroberlin.de/2025/08/numero-berlin-travel-review/ Tue, 12 Aug 2025 10:45:04 +0000 https://www.numeroberlin.de/?p=62494 The Art of Breathing Space — Remote Luxury and Ancient Resonance

 

In an age of accelerating schedules and aesthetic overload, true luxury often reveals itself not in forced extravagance, but in spaciousness that leaves room for choices. Along the glistening curve of Turkey’s southern coast, nestled beside pine forests and the Mediterranean Sea, the Ali Bey Resort Sorgun offers a version of luxury that is less about spectacle and more about alignment—between body and pace, design and ecology, past and present.

 

An organized jungle

 

It is late when I arrive at the reception hall, a big space that mixes tradition with modern design. Here, Turkish hospitality starts at its finest: A golf cart picks me up to drive me to my room, driving down the beautiful tree-framed paths that almost feel like an „organized jungle“ in the darkness. The peaceful pace and energy remains the same in the morning, despite all guest and families that have slowly openend the vacation season that comes with many activities as well.

Built in 2010 by a Turkish family-owned group, the resort unfolds across 120,000 square meters of gardens and wooded terrain. It feels less like a hotel complex and more like a cultivated ecosystem—one where architecture, nature, and time are allowed to breathe. No trees were cut during the construction of the pools; the topography was followed rather than forced. The result is a landscape of quiet elegance: stone pathways between olive trees, curved waterlines that echo natural springs, shaded corners that invite stillness.

 

A dive into rich history

 

Yet to truly understand the emotional depth of this place, one must consider its setting: Side, one of the Mediterranean’s oldest and most storied cities. Founded by Greek settlers around the 7th century BCE, Side became a thriving Roman port and a cultural melting pot of the ancient world. It was here that Antony and Cleopatra once anchored their ships; here that temples rose in devotion to Apollo and Athena, gods of sun and wisdom. Today, the ruins remain: a vast amphitheater carved into the earth, half-buried bathhouses, stone-paved roads leading to colonnades now softened by centuries of wind and salt. A short drive from the resort, the Side Museum offers one of the most quietly powerful historical encounters in the region. Housed in a former Roman bath, the museum displays sarcophagi, reliefs, and statues unearthed in the surrounding area—many left in situ, touched by time rather than removed from it. Here, history is not staged behind glass but embedded in atmosphere. It is not uncommon to stand before a 2,000-year-old lion sculpture and hear nothing but cicadas.

This subtle sense of continuity—between the ancient and the immediate—is what gives the Ali Bey Resort Sorgun its particular rhythm. Built in 2010 it now counts 429 rooms and suits, protecting sufficient privacy in 12 different buildings.

While the resort is fully modern in its offerings—Ultra All-Inclusive, four à-la-carte restaurants, a sprawling Samara Spa—it never feels severed from its surroundings. The Spa  – a signature for the resort group – follows the same vision too: mixing traditions with modern approaches, offering exclusive treatments such as Aromatherapy, Bali and Thai Massages but also a Turkish bath and saunas on four levels and 2000 square meters.

 

The experience of space

 

There is a tangible gentleness in how space is used and offered: quiet zones by the pool, hidden reading nooks and natural materials that echo the terrain. This all exists right next to a whole different reality for those who seek adventure and action: fitness or dance classes or – above – a dedicated place for tennis lovers, no matter if on professional or amateur level.With 91 courts, the Ali Bey Hotels & Resorts group counts to one of the biggest tennis centers in the world, hosting many national and international tournaments. The Sorgun resort alone has 37 courts including three children’s courts providing a dedicated service.

But back to the silence seeker: Remote workers, in particular, such as me who had come with a bag full of work, will find a kind of rare generosity here. With generous Wi-Fi – really everywhere, even at the beach – shaded garden spaces, and an atmosphere that encourages pacing rather than urgency, the resort is surprisingly conducive to creative focus. You can write beneath the trees, take calls between olive branches snacking the best turkish delights and tea, breathing in sea air to then submerge into silence again before taking a sunset yoga and stretching class facing the beach. The contrast is healing. But also the resort’s service speaks of excellence: A recent guest was complaining about not being able to have any wish left, what an overwhelming condition.

Sustainability, too, is more than a buzzword here—it is embedded in both design and operation. Beyond the ecological landscaping, long-term partnerships with local producers, and material longevity, there’s a palpable care for slowness, continuity, and conscious use. Even the gastronomic experience leans into seasonal produce, from Anatolian dishes to teppanyaki served by the sea. But the restaurant really offers something for anyone on a high quality despite it being  All-Inclusive.

Families are welcomed without compromise. Children’s programs are held in nature, not on screens, offering highlights as their famous waterpark. Entertainment takes place under stars, with live music and storytelling instead of artificial spectacle. And always, just beyond the resort, the outlines of ancient Side remain—reminding guests that luxury is not a break from history, but perhaps a quiet conversation with it. Some might here it louder, others might need to listen a little bit longer.

Ali Bey Resort Sorgun is not a minimalist retreat, nor a maximalist stage. It is something rarer: a space of balance—between leisure and purpose, family and solitude, design and nature, past and present. To stay here is not to escape, but to return: to a slower pace, to a grounded rhythm, to a setting where even the silence seems to hold memory.

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