\n\t\t\t\tWhat is your very personal view on art, creating but also buying and curating it. How political and how decorative should it be? What should be the main goal behind art?\t\t\t<\/div>\n\t\t\t
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I like this quote of\u00a0Marcel Duchamp<\/em>: \u2018\u2019\u00a0I do art for the minds, not for the eyes<\/em>\u2019\u2019. Personally I can\u2019t stand decorative art, I think that\u2019s the job of IG and Pinterest. When it comes to curating art I am looking for a powerful reaction, emotion or memory. My show in Berlin,\u00a0RUB IT<\/em>! is spurred by the imperative that all art is protest act. I definitely hope it takes part of the public debate rather than just a form of decoration. Rub the statue, rub your lovers, and rub it in their faces. In this new apparatus, the works transcend the designated gallery space and act as a call to arms.<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tInstagram is banning your artworks, their censorship is getting more and more strict when it come. How do you feel about this change? Especially also living and working in America?\t\t\t<\/div>\n\t\t\t
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I am obsessed with the external juxtaposition of sexuality and censorship. My art actually\u00a0reflects on the power of Social Media, where everything is extremely sexualized and censored at the same time. Is an erect penis pornographic or beautiful, vulgar or elegant? Does the veil (of censorship) make it more interesting, desirable or acceptable? In a subtle game between revealing and hiding, I hope to force the beholders to see what is merely alluded in the piece and to deal with their emotions.<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\tWhat makes you want to stay anonymous behind you art?\t\t\t<\/div>\n\t\t\t
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I don\u2019t think my personal identity or name is relevant to the art. I want the pieces to be viewed for what they are and not for who made them. The world is already so complex and overwhelming, I rather have the pieces speak for themselves.<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\tYou like to dress in all white for your shows, why? How do you think can fashion be a tool for artistic expression? \t\t\t<\/div>\n\t\t\t
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I think fashion and art are incredibly related. Art inspires fashion and vice versa. The white is the purest color,\u00a0simple, clean,\u00a0 minimal and even innocent \u2013 well innocent maybe not in this case. I most use white to not take too much space and add a calming and fresh look to the shows.<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\tYou did your first art show during the L.A. Frieze this year, how did that feel? What was the most unexpected experience?\t\t\t<\/div>\n\t\t\t
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It was a crazy adventure, I will always remember my first show. The funniest part of the entire experience I have to say was attending my opening without anyone knowing I was the artist behind the pieces. Looking and hearing people experiencing and commenting on the pieces without them knowing I was behind, was very funny but also so powerful, interesting and intense. A beautiful surprise I didn\u2019t expect and that I will always cherish. I am hoping to keep a low profile for this show as well.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t
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\n\t\t\t\t\t\t\tCap Botter, Scarf talent\u2019s own\t\t\t\t\t\t<\/figcaption>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/figure>\n\t\t\t<\/div>\n\n\n \n \u201cMy most recent work is designed to stroke the subconscious and celebrates (or challenges) the meaning of desire in an era where sexual freedom and identity are increasingly under attack abroad. Coming from America, where I live today, I see the current show as a chance to leverage my provocative art as a vital tool and shine a spotlight on the realities of LGBTQ+ sexuality.\u201d\n <\/blockquote>\n \n\n\n\t\n <\/div>\n\n\n\n
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\n\t\t\t\tHow come you chose Berlin for your second galery show that opens this week?\t\t\t<\/div>\n\t\t\t
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RUB IT<\/em>\u00a0arrives on the heels of the city\u2019s centennial \u201cRoaring 20s\u201d anniversary when Weimar Era-decadence launched not only Berlin\u2019s iconic club and cabaret scene but also the modern LGBTQ+ emancipation movement. It\u2019s this history of inherited permissiveness that makes Berlin one of the last remaining vestiges of sexual liberty. I should know. My own sexual awakening began in Berlin nearly a decade ago as a wide-eyed postgrad. It was the city of firsts. Fitting, given that Berlin is home to the world\u2019s first gay rights activist, first gay magazine, and first institute for sexual research. The city represents an all-important reminder that art and sex will always be linked, so long as the two remain free of suppression and censorship.<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tWho or what is your biggest artistic \/ creative inspiration and influence?\t\t\t<\/div>\n\t\t\t
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Many Art Povera artists and\u00a0the Zero Group movement in terms of aesthetic:\u00a0Pierro Manzoni, Fontona, Buri or Turri Simet<\/em>i. Also, bold artists like\u00a0Marcel Dushamp, Urs fisher, Maurizio Cattelan<\/em>.<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tWhat are your expectations for this show?\t\t\t<\/div>\n\t\t\t
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RUB IT\u00a0<\/em>stands for unalloyed joy and freedom in the face of widespread discrimination and violence against sexual freedoms. But even Berlin has its upper limits, and the party has to end sometime. What you do with that memory and energy is where my Berlin collection exists: in a circle-jerk of elegance and hardcore, minimalism and intensity, tension and release.<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tWhat will be different from your first show?\t\t\t<\/div>\n\t\t\t
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The focus has remained the same. This time however I had to turn it up a notch since it is hard to shock and seduce a city like Berlin that has seen it all.<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\n
\n \u201cIn a subtle game between revealing and hiding, I hope to force the beholders to see what is merely alluded in the piece and to deal with their emotions.\u201d\n <\/blockquote>\n \n\n\n\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\tJacket Laruicci, Shirt Facetasm, Pants Eytys, Boots Highlight Studio, Headpiece Jacquemus, Gloves Zonen Van Thor \t\t\t\t\t\t<\/figcaption>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/figure>\n\t\t\t<\/div>\n\n\n\t\n\t\t\t\t\t
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\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/figure>\n\t\t\t<\/div>\n\n\n\n
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\n\t\t\t\tWhat is your favorite art piece in the show?\t\t\t<\/div>\n\t\t\t
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The throbbing chrome sculpture that lends its name to the title of the exhibit (RUB IT<\/em>). Statue rubbing has a long, curious history in the art world and public imagination. I want this show to be an homage to the city of Berlin and every city has its good luck statue. This one is my version of it. When you see it don\u2019t forget to rub!<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tWho would be your dream client?\t\t\t<\/div>\n\t\t\t
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I have admired a lot of curators and collectors over the years. You have the obvious big names but one I personally adore is\u00a0Ronnie Sasson<\/em>. Over a lifetime spent in London, New York, Los Angeles and points in between, collector\u00a0Ronnie Sassoon<\/em>\u00a0has put together an unparalleled grouping of radical artworks, design objects and houses that elucidate her definition of \u201cselection\u201d: important works by\u00a0Group Zero<\/em>\u00a0and\u00a0Arte Povera<\/em>\u00a0artists such as\u00a0Lucio Fontana, Piero Manzoni, Michelangelo Pistoletto<\/em>\u00a0and\u00a0Alighiero Boetti<\/em>; midcentury designers such as\u00a0Carlo Scarpa, Frederick Kiesler, Jean Prouv\u00e9<\/em>\u00a0and\u00a0Gae Aulenti<\/em>; and many more. At the center of the collection are three important houses that hold the collection: the\u00a0Levit House<\/em>\u00a0by\u00a0Richard Neutra<\/em>\u00a0in Los Angeles, the\u00a0Stillman II House<\/em>\u00a0by\u00a0Marcel Breuer\u00a0<\/em>in Connecticut and the iconic\u00a0Dean\/Ceglic Loft<\/em>\u00a0in SoHo, New York.\u00a0Just iconic.<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\tAny plans for after the show? \t\t\t<\/div>\n\t\t\t
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Maybe an after party in the local berlin bathhouses followed by a curry worst at 4am? Let\u2019s see, I might be in bed by midnight completed passed out\u2026<\/p>\n\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\tWhat are your goals for next year?\t\t\t<\/div>\n\t\t\t
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I would love to do a show in New York and Paris. Two cities I adore and that inspire me a lot. I hate to work alone though, hate it. So I am talking to several different entities to perhaps collaborate together, it\u2019s so much more fun! Stay tuned!<\/p>\n\t\t\t<\/div>\n\t\t\t<\/div>\n\n
\n LA ARTIST *AUGUSTE WIBO\u201d ART SHOW\nLEIPZIGERSTRA\u00dfE 60\/61\nFRIDAY 28th & SATURDAY 29th OF OCTOBER; 1PM \u2013 8PM\n <\/blockquote>\n \n","protected":false},"excerpt":{"rendered":"Call to arms: Num\u00e9ro Berlin in conversation with artist\u00a0Auguste Wibo<\/p>\n","protected":false},"author":2,"featured_media":26776,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[25,20],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.numeroberlin.de\/wp-json\/wp\/v2\/posts\/28602"}],"collection":[{"href":"https:\/\/www.numeroberlin.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.numeroberlin.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.numeroberlin.de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.numeroberlin.de\/wp-json\/wp\/v2\/comments?post=28602"}],"version-history":[{"count":0,"href":"https:\/\/www.numeroberlin.de\/wp-json\/wp\/v2\/posts\/28602\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.numeroberlin.de\/wp-json\/wp\/v2\/media\/26776"}],"wp:attachment":[{"href":"https:\/\/www.numeroberlin.de\/wp-json\/wp\/v2\/media?parent=28602"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.numeroberlin.de\/wp-json\/wp\/v2\/categories?post=28602"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.numeroberlin.de\/wp-json\/wp\/v2\/tags?post=28602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}