
TO WATCH: “IT WAS JUST AN ACCIDENT” BY JAFAR PANAHI
Vahid once endured the machinery of a regime that left marks no time could erase. A…
“Everything in life must die and pass through nature into eternity.”
Life stops turning. The past and the future are out of reach. And the two people who seemed made for each other are pulled in opposite directions, without ever really moving. Frozen, locked in place. In the midst of a horror brought on by the plague.
Hamnet lingers in this state. The world has fallen out of joint, and everything shifts slowly. Almost imperceptibly, like a landscape you look at every day and only notice after weeks that it has changed. Days lose their edges, nature loses its touch, and closeness feels distant, like a quiet crack running through everything you had built. Loved ones stand side by side and yet drift apart without taking a single step.
Chloé Zhao weaves a family tragedy into an almost tangible metamorphosis, letting us feel how loss can transform into creativity how grief can become a language of its own, expressed in images that words cannot reach. Unflinching and honest, they create something that lives on in hearts and minds.
Based on Maggie O’Farrell’s novel, the film explores the personal unraveling of Shakespeare and his wife, leading up to that singular moment when everything collapses and feels irreparable. Until it becomes clear that love does not simply end. It changes.

Vahid once endured the machinery of a regime that left marks no time could erase. A…

PHOTOGRAPHY TEREZA MUNDILOVÁ

“If you were dead, you wouldn’t matter to me anymore. That’s just how it is.”