FKJ has a unique approach to music: he plays at least five different instruments, in addition to providing his own vocals, live looping and fine-tuning with a synthesizer. In conversation with Numéro Berlin, he gives context to his new album, talks about the big shifts and how “childlike innocence” is crucial for making music.
Numéro Berlin’s weekly collection of the most exciting news about fashion, music, and simply everything that is on our radar. And here is why it should be on yours as well!
In conversation with Numéro Berlin, Renaud Salmon reflects on building a luxury house through meaning rather than spectacle, why every letter carries a scent in his mind, and why the hardest part of creating a perfume isn’t composing it – but finding the single word that captures its soul.
Saying „This is what I love about you“ to someone, and a computer responds? Florian Karner zooms exactly into that intersection in his new documentary: relationships in times of highly advanced technology.
ANFANG / BEGINNING: BERLIN 1994–99 captures the raw pulse of post-wall Berlin, a city in flux, alive with…
“In my experience, finding your armour helps you to stay in touch with those feelings. It grounds them in…
Founded in Copenhagen in 2008, the label “Han Kjøbenhavn” combines its roots in the danish design culture…
Inspired by artists like Kurdo and Haftbefehl, German rapper Baran Kok set out to make a similar kind of rap…
“I wonder if I’ve been changed in the night? Let me think. Was I the same when I got up this morning? I…
“The vision is to show that craftsmanship is neither nostalgic nor static, but a living language that can evolve alongside contemporary design.“ Galib Gassanoff, founder of INSTITUTION, presented his debut runway collection at Copenhagen Fashion Week, as this year’s winner of the Zalando Visionary Award 2026 – in a pair of wool socks.
At Diaspora Calling!, Ms. Lauryn Hill transformed the Milton Keynes National Bowl into a meeting point between generations, geographies and cultural lineages, bringing together Wyclef Jean, Erykah Badu, Dave Chappelle, Fireboy DML, Giggs, YG Marley, Zion Marley and more than 35,000 people. Thirty years after the Fugees’ The Score, the gathering proposed diaspora as a living network – capable of reconnection, return and collective healing, while pointing towards a different vision for the future of music and culture.
Photography LUKE ABBY
“MAN HAS CREATED HIS OWN MASTER, ONLY SO THAT HE MAY EVENTUALLY DETHRONE HIM AGAIN.”
