Munir is ill, haunted by tormenting thoughts that deny him any sense of purpose on this earth. Solitude is what he seeks, even as it begins to destroy him. In silence, he hopes to reflect on his final decision.

YUNAN, by Ameer Fakher Eldin, tells the story of a man torn apart, unable to find a place where he truly belongs. The film explores the feeling of being displaced, not only geographically but also existentially. It dwells in the in-between spaces that arise when belonging is lost.

Munir flees to Hallig Langeneß in Schleswig-Holstein, a place that itself stands as a symbol of transience. Like Munir, it is marked by fragility and isolation. “Land under” becomes a state that brings forth fear for one’s own existence and calls the future into question. Surrounded by water and cut off from the mainland, Munir finds an unexpected connection with Valeska, the woman who takes him in.

The language barrier does not seem to weaken their bond; they need few words to understand each other. Kindness and compassion help Munir to set out on a new path, in the hope of redefining his place in the world.