
IN CONVERSATION WITH ANDERS DANIELSEN LIE AND MARIE ULVEN AKA GIRL IN RED
Premiering in the Quinzaine des Cinéastes section at the 2026 Cannes Film Festival,…
“Everything in life must die and pass through nature into eternity.”
Life stops turning. The past and the future are out of reach. And the two people who seemed made for each other are pulled in opposite directions, without ever really moving. Frozen, locked in place. In the midst of a horror brought on by the plague.
Hamnet lingers in this state. The world has fallen out of joint, and everything shifts slowly. Almost imperceptibly, like a landscape you look at every day and only notice after weeks that it has changed. Days lose their edges, nature loses its touch, and closeness feels distant, like a quiet crack running through everything you had built. Loved ones stand side by side and yet drift apart without taking a single step.
Chloé Zhao weaves a family tragedy into an almost tangible metamorphosis, letting us feel how loss can transform into creativity how grief can become a language of its own, expressed in images that words cannot reach. Unflinching and honest, they create something that lives on in hearts and minds.
Based on Maggie O’Farrell’s novel, the film explores the personal unraveling of Shakespeare and his wife, leading up to that singular moment when everything collapses and feels irreparable. Until it becomes clear that love does not simply end. It changes.

Premiering in the Quinzaine des Cinéastes section at the 2026 Cannes Film Festival,…

From “Moomin“ to talking about life and death - Tove Jansson’s “The Summer Book“…

Deutsche Kinemathek`s new exhibition documents as well as celebrates the evolution of…