A SUMMER IN MOTION, SOMEWHERE IN MONTE CARLO

Gucci’s latest campaign unfolds across Monte Carlo in drifting scenes of pools, open water, and in-between moments. A cast including Tian Xi Wei, Anok Yai, Amelia Gray and others moves through a summer that feels less like a destination and more like a state of suspension—plans undefined, horizons open.

The wardrobe follows suit: relaxed tailoring, fluid silhouettes, Flora prints marking the House’s 60-year dialogue with the motif first created in 1966 for Princess Grace of Monaco. Alongside them, signature bags like the Jackie, Venice, and GG Monogram travel pieces anchor a story built on ease and movement.

Set against Monaco’s long-standing role as a stage for fashion and escape, the campaign leans into a familiar idea: summer as possibility, not pause.

CARHARTT WIP – FW26 PREVIEW: WORN, WASHED, IN-BETWEEN

Carhartt WIP’s Fall/Winter 2026 preview lands early, setting the tone for a season that hasn’t quite started yet. Positioned between summer and fall, the collection works as a quiet transition—less about arrival, more about what comes next.

This season leans into texture and wear: new “destroy wash” treatments give signature pieces like the OG Chore Coat and Double Knee Pant a heavily lived-in finish. Familiar silhouettes return alongside hybrids like the Manderson Jacket and Brader Blazer, blurring the line between workwear, field gear, and tailoring.

Heavy jersey and garment-dyed fabrics shift the palette into deeper, muted tones, as if everything is slowly dimming toward autumn. A preview built on fading edges, softened structure, and clothes that feel already in motion.

ROECKL: REINTERPRETING THE OPERA GLOVE 

For the Autumn/Winter 2026/27 season, Roeckl, the Munich-based luxury accessories house renowned for its craftsmanship and expertise in fine leather since 1839, reinterprets the classic opera glove with the style “Noho.” Crafted in an extra-long silhouette from fine, unlined hair sheep nappa leather and adorned with spiralling ruffles, the design creates an intriguing contrast between supple leather and delicate organza. Worn with oversized tailoring, leather, denim or knitwear, the glove plays with proportions and makes a distinctive fashion statement, available in black and wine.

MADONNA X DOLCE & GABBANA FOR CONFESSIONS II

Madonna reunites with Dolce&Gabbana for Confessions II – The Film, a 10-minute visual work directed by David Toro and Solomon Chase (TORSO), which premiered at the Tribeca Film Festival. Produced by DIVISION, the film unfolds across the first six tracks of her upcoming album, merging music, image, and styling into a single immersive narrative shaped by Dolce&Gabbana’s archival and contemporary codes.

Within the film, Madonna appears in a series of looks that rework the brand’s archive: a stretch satin PVC dress referencing Spring/Summer 1998 and Ray of Light, a black satin slip dress with corset detailing, and a rhinestone-embellished FW 1991/1992 top paired with structured shaper panties. Together, the silhouettes frame fashion as narrative, extending Madonna’s visual language through the house’s unmistakable aesthetic vocabulary.

NIGERIA X SLAWN REWORKS THE SUPER EAGLES ARCHIVE

Slawn brings his raw, hand-drawn visual language to the Nigeria national football team in a new collaboration that reimagines performance wear through bold, unfiltered graphics. The collection spans jerseys, tracksuits, fleece pieces, and lightweight outerwear, all marked by his signature reinterpretation of the Super Eagles wings and co-branded detailing that celebrates Nigerian identity on and off the pitch.

Extending into footwear, Slawn reworks the archival Nike Cryoshot boot, covering the silhouette in hand-drawn illustrations for a street-ready reinterpretation of a classic cleat. The full collection launches from June 11 across Slawn and federation retail, followed by Dover Street Market and SNKRS releases later in the month.