The record marks a shift for Yeule, pushing beyond the more straightforward pop structures of their early work into a space where hyperpop’s intensity meets a kind of careful intimacy. Across the album, sugary and gothic melodies and skittering beats give way to something more complex: tracks that bounce with elastic synths and processed vocals, yet reveal undercurrents of melancholy and reflection.

There’s a contrast at the core of Evangelic Girl Is a Gun: joyful surfaces crack open to expose darker, more intimate themes, turning personal stories into electronic anthems that feel as vulnerable as they are sharp-edged.

Yeule’s glitchy pop sensibility – marked by sudden shifts, pitch-shifted harmonies, and digital textures – keeps the record in constant motion. Her music feels weightless and precise at once, driven by a sense of play but never losing their emotional center. It’s a style that owes as much to internet-era pop experimentation as it does to classic songwriting, drawing you in with hooks only to reveal something far more complicated beneath.

Evangelic Girl Is a Gun will be released on May 30, with a European tour starting July 1 in Manchester, UK.