
ON OUR RADAR
Numéro Berlin’s weekly collection of the most exciting news about fashion, music, and simply everything that is on our radar. And here is why it should be on yours as well!

Numéro Berlin’s weekly collection of the most exciting news about fashion, music, and simply everything that is on our radar. And here is why it should be on yours as well!
Premiered at the Festival de Cannes, Fatherland (2026) by Paweł Pawlikowski is less a historical drama concerned with precise facts. It is rather a reflection on exile, neglect and cultural identity. Sandra Hüller, Hans Zischler and August Diehl come together for this brilliant period drama, which took Best Director award in Cannes.

Prada has long maintained a close relationship with cinema, whether through direct collaborations with movie directors, most recently Yorgos Lanthimos for “Ritual Identities”, or through spectacular costume collaborations in high-profile films such as “The Grand Budapest Hotel” by Wes Anderson. For their upcoming Fall/Winter campaign, head designers Miuccia Prada and Raf Simons reflect on their previous collections through “Simple Stories”.

There are artists who belong to an era — and artists who somehow survive several of them: Billy Idol emerged from the wreckage of seventies England, when punk was less a style than a reaction to a deep economic recession, social apathy, and political crisis. Photography – BRAD ELTERMAN

Few artists have shaped 21st-century culture as profoundly as Ye. The Tirana performance served as another reminder that Ye’s concerts are no longer experienced solely as live shows—they have become cultural events that continue to shape how music, art and performance are imagined today.

Canada Goose is returning to its roots – and, in many ways, to everyone’s roots: nature. The collection skilfully unites the brand’s core principles of authenticity, craftsmanship and quality, creating pieces designed to accompany you through warm summer days as well as cooler nights.

He has quietly worked his way up through Germany’s underground rap scene, but recently made a lot of noise with headbangers such as MOSHPIT: Lavender. In conversation with Numéro Berlin he shares more about his new EP, biting in (and outside of) graffiti, and how he is, against contrary beliefs, quite the overthinker.